A harmoniously formatted portrait of a pop artist of sure interest to young readers, with excellent quotes from interviews, 20 telling color photos of the artist at work, and 19 reproductions of his paintings and sculptures. Unfortunately, Walker's clumsy text doesn't begin to match these illustrations. Its poor organization, jumping from biographical details to work habits to techniques and back, leads to needless repetition, while the author fails to clarify important terms like ``Benday dots,'' leaves hazy such details as the precise role of Lichtenstein's ``assistant,'' in one instance literally misreads the art (it's not the ``jaw'' that the fist in ``Sweet Dreams Baby!'' has apparently just hit), and brings up the concept of composition for virtually the first time on the last page. The works' dimensions are omitted, as are their locations (according to the publisher, some are in the retrospective that just opened at the Guggenheim and will be on tour for the immediate future, but some kind of comment would alert young readers to the idea that such works can be enjoyed in the original). But ultimately, though this is far from a complete picture, there's much here that's intriguing about the craft of this unique contemporary; the book may well inspire interest in his work. (Nonfiction. 9- 12)
Pub Date: Jan. 1, 1994
ISBN: 0-525-67435-7
Page Count: 42
Publisher: Dutton
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: Jan. 1, 1994
Categories: CHILDREN'S GENERAL CHILDREN'S
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A magnificently creepy fantasy pits a bright, bored little girl against a soul-eating horror that inhabits the reality right next door.
Coraline’s parents are loving, but really too busy to play with her, so she amuses herself by exploring her family’s new flat. A drawing-room door that opens onto a brick wall becomes a natural magnet for the curious little girl, and she is only half-surprised when, one day, the door opens onto a hallway and Coraline finds herself in a skewed mirror of her own flat, complete with skewed, button-eyed versions of her own parents. This is Gaiman’s (American Gods, 2001, etc.) first novel for children, and the author of the Sandman graphic novels here shows a sure sense of a child’s fears—and the child’s ability to overcome those fears. “I will be brave,” thinks Coraline. “No, I am brave.” When Coraline realizes that her other mother has not only stolen her real parents but has also stolen the souls of other children before her, she resolves to free her parents and to find the lost souls by matching her wits against the not-mother. The narrative hews closely to a child’s-eye perspective: Coraline never really tries to understand what has happened or to fathom the nature of the other mother; she simply focuses on getting her parents back and thwarting the other mother for good. Her ability to accept and cope with the surreality of the other flat springs from the child’s ability to accept, without question, the eccentricity and arbitrariness of her own—and every child’s own—reality. As Coraline’s quest picks up its pace, the parallel world she finds herself trapped in grows ever more monstrous, generating some deliciously eerie descriptive writing.
Not for the faint-hearted—who are mostly adults anyway—but for stouthearted kids who love a brush with the sinister: Coraline is spot on. (Fiction. 9-12)Pub Date: July 1, 2002
ISBN: 0-380-97778-8
Page Count: 176
Publisher: HarperCollins
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: June 15, 2002
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Rejoice! 25 years later, Wayside School is still in session, and the children in Mrs. Jewls’ 30th-floor classroom haven’t changed a bit.
The surreal yet oddly educational nature of their misadventures hasn’t either. There are out-and-out rib ticklers, such as a spelling lesson featuring made-up words and a determined class effort to collect 1 million nail clippings. Additionally, mean queen Kathy steps through a mirror that turns her weirdly nice and she discovers that she likes it, a four-way friendship survives a dumpster dive after lost homework, and Mrs. Jewls makes sure that a long-threatened “Ultimate Test” allows every student to show off a special talent. Episodic though the 30 new chapters are, there are continuing elements that bind them—even to previous outings, such as the note to an elusive teacher Calvin has been carrying since Sideways Stories From Wayside School (1978) and finally delivers. Add to that plenty of deadpan dialogue (“Arithmetic makes my brain numb,” complains Dameon. “That’s why they’re called ‘numb-ers,’ ” explains D.J.) and a wild storm from the titular cloud that shuffles the school’s contents “like a deck of cards,” and Sachar once again dishes up a confection as scrambled and delicious as lunch lady Miss Mush’s improvised “Rainbow Stew.” Diversity is primarily conveyed in the illustrations.
Ordinary kids in an extraordinary setting: still a recipe for bright achievements and belly laughs. (Fiction. 9-11)Pub Date: March 3, 2020
ISBN: 978-0-06-296538-7
Page Count: 192
Publisher: Harper/HarperCollins
Review Posted Online: Sept. 29, 2019
Kirkus Reviews Issue: Nov. 1, 2019
Categories: CHILDREN'S GENERAL CHILDREN'S
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