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THEODORE ROOSEVELT

A master craftsman’s rendering of a character who needs no embellishment.

Auchincloss (Her Infinite Variety, 2000, etc.) trains his acute sensibility and elegant prose on our most colorful chief executive, rendering Teddy as a man of his time as well as a timeless example of principled leadership.

Auchincloss argues that Roosevelt’s bluster was his most human trait. The first president of the 20th century was given to loud talk and exaggeration. So what? asks the author. It masked his political shrewdness. To understand Roosevelt, one need only understand the policeman’s ethic, writes Auchincloss. Before all else, Teddy did what was right. And he enjoyed coming down hard on those who did wrong. His concept of the gentleman was tantamount to a chivalric code, right up to a man’s duty to fight for his country. Roosevelt insisted on expanding the American Navy, using its battleships on the international stage, and gladly sent his sons into WWI and WWII. He insisted on boxing with younger and stronger army officers, one of whom blinded him permanently in the left eye. Like a cop, Roosevelt was often bull-headed in his pursuit of what he thought was the right course of action. This stubbornness caused him trouble at the outset of WWI. First, Roosevelt gave the White House to the Democrats by opposing business-friendly Taft and splitting the Republicans. Then the ex-president had to put up with university professor Woodrow Wilson leading America into war. After Wilson ignored his predecessor’s request to lead a cavalry regiment against Germany—a foolish desire, given that Roosevelt had only a few more years to live—Teddy spent much of the rest of his life fulminating against the administration, one arguably more progressive than his. Auchincloss quotes extensively from Roosevelt’s writings, which are as awe-inspiring and dramatic as any novelist’s. It’s a wonderful way of bringing this giant to life on the page.

A master craftsman’s rendering of a character who needs no embellishment.

Pub Date: Jan. 4, 2001

ISBN: 0-8050-6906-2

Page Count: 160

Publisher: Henry Holt

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Oct. 15, 2001

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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