The struggles of the proudly eccentric family of a once-famous poet who's committed suicide lie at the heart of this kaleidoscopic comedy, which dazzlingly illuminates the exact moment when the '60s disintegrated into terminal narcissism and gave birth to today's entropic culture. Jones (Particles and Luck, 1993, etc.) spins out an audacious plot focusing on a pivotal four days in 1973 when the children of James Farmican, a beatnik who blew his brains out three years earlier, are finally compelled to give up their father's decaying labyrinth of a Victorian mansion. ``California's over,'' says their beautiful self-absorbed mother, Julia, now married to psychiatrist Faro Ness, whose oozing '60s sensitivity can't hide the fact that he has seized almost all of the family's assets. Two children, Peter and Wendy, are casualties of too much Peter Pan whimsy; their long-lost brother Ed, given up for adoption to a ``normal'' family, has arrived to claim his inheritance. Observing all this is Steve, the callow 17-year-old who had been hired to clean out the house. Falling (naturally) under their spell, the interloper has already managed to impregnate Wendy; he follows her and her siblings to Nevada, where Ed wants to resurrect his father's shuttered Cornucopia Casino. Writing 20 years later, Steve describes how Peter gambled himself into debt to gangsters, and how Wendy let a Christian cardsharp convince her that she could pay off her brother's debt (and save her unborn child) by serving clients in the Ecstacy Ranch brothel. The novel circles around to Steve's account of meeting Wendy again after 20 years, the two reuniting not because she loves him, but because she needs him to pose as her husband in order to contest Faro Ness's control over the now sizable estate. Jones performs an act of alchemy here, burnishing the bitter and petty betrayals of an era with a lyrical anguish that makes Steve's aching regret feel universal. (First printing of 25,000; author tour)
Pub Date: Sept. 15, 1997
ISBN: 0-679-42334-6
Page Count: 336
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1997
BOOK REVIEW
BOOK REVIEW
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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