by Louis Begley ‧ RELEASE DATE: March 16, 2012
The good news is that Schmidt still feels he has 10 years to live, which likely means at least one more novel.
In the third of the Schmidt novels, what had been described as a comedy of manners turns tragic and redemptive.
Updike had Rabbit, Roth has Zuckerman, Richard Ford has Bascombe and Begley has Schmidt. While all serve a similar purpose, to illuminate American life and culture through the passages of one man’s maturation, the return of “Schmidtie” represents a significant advance from preceding volumes (Schmidt Delivered, 2000, etc.). An even longer interval has passed in Schmidt’s life than between books, since the protagonist readers knew in his early 60s is now 78 (it’s hard to imagine Jack Nicholson continuing in this role). Now deep into his second career, as a retired lawyer turned foundation head, he is much more concerned with topical events—wars and terrorism and politics (he loves Obama). And he has found new love with a woman who is more age appropriate, merely 15 years his junior (in contrast with the promiscuous waitress, younger than his daughter, who continues to play a key role in his life). Artistically and thematically, this is the most ambitious novel in the Schmidt cycle, also the longest, and it requires familiarity with the earlier volumes to appreciate its richness. It ties the ends left loose at the conclusion of the last—his relationships with his daughter and his former lover, and the anticipation of the two babies that will make him a grandfather (and perhaps a father as well). Yet chronologically this isn’t a mere continuation of the Schmidt narrative, but one that finds him reflecting (“stepping back”), coming to terms with some pivotal episodes that were either downplayed or omitted from the first two novels. He has arrived at a place where he feels he has “at last grown up,” possibly capable of a “rebirth.” Yet, given the course his life has taken and the stage at which he has arrived, he compares himself to Lear and Job, facing what is likely his “last chance.”
The good news is that Schmidt still feels he has 10 years to live, which likely means at least one more novel.Pub Date: March 16, 2012
ISBN: 978-0-307-70065-0
Page Count: 352
Publisher: Knopf
Review Posted Online: Feb. 20, 2012
Kirkus Reviews Issue: March 1, 2012
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by Kristin Hannah ‧ RELEASE DATE: Feb. 6, 2018
A tour de force.
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New York Times Bestseller
In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.
After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.
A tour de force.Pub Date: Feb. 6, 2018
ISBN: 978-0-312-57723-0
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Oct. 30, 2017
Kirkus Reviews Issue: Nov. 15, 2017
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by Lisa Jewell ‧ RELEASE DATE: April 24, 2018
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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