CORELLI'S MANDOLIN

A felicitous change of setting to Greece after an epic trilogy set in Latin America (The Troublesome Offspring of Cardinal Guzman, 1993, etc.) seems to have liberated de Berniäres's particular brand of intelligent satire. Dr. Iannis, a wise-father figure of the sort familiar from de Berniäres's other books, plays choric host to a portrait of life on the island of Cephallonia as Greece is invaded by Italian and German troops during WW II. His brilliant and beautiful daughter, Pelagia, is the story's heroine. Swirling around them are de Berniäres's trademark crowd: earth mother, feral girl-child, village strongman, drunkard priest, politically argumentative old man, inarticulate goatherder, and Mandras, an illiterate fisherman who feeds dolphins. They are joined by the soldiers: Carlo Piero Guercio, a tightly closeted homosexual; Captain Antonio Corelli, his clown of a commanding officer, who is a virtuoso mandolin player; and GÅnter Weber, a German who carries around a gramophone so that everyone can enjoy ``Lili Marlene.'' Beginning with Dr. Iannis removing a 60-year-old pea from the ear of one of the villagers and miraculously restoring his hearing, the narrative features one scene of biting political satire after another, although excerpts from Dr. Iannis's historical writings sometimes slow the pace. De Berniäres has toned down his predilection for magical realism; there is just enough of it here, used in just the right way and at the right time, to enhance the sense of wonder and horror intertwined throughout the book. The horror comes from the immediacy of war, the starvation, illness, and madness it brings with it, and the insidious way it changes the innocent Mandras from haunting merman to haunted, sadistic beast. The wonder comes from moments like Pelagia's spying on young Mandras while he frolics with dolphins and the antics of Corelli, Pelagia's fascist lover. Good, thoughtful reading: a black comedy in the Vonnegut tradition.

Pub Date: Sept. 20, 1994

ISBN: 0-679-43644-8

Page Count: 448

Publisher: Pantheon

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 1, 1994

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There are unforgettable beauties in this very sexy story.

TELL ME LIES

Passion, friendship, heartbreak, and forgiveness ring true in Lovering's debut, the tale of a young woman's obsession with a man who's "good at being charming."

Long Island native Lucy Albright, starts her freshman year at Baird College in Southern California, intending to study English and journalism and become a travel writer. Stephen DeMarco, an upperclassman, is a political science major who plans to become a lawyer. Soon after they meet, Lucy tells Stephen an intensely personal story about the Unforgivable Thing, a betrayal that turned Lucy against her mother. Stephen pretends to listen to Lucy's painful disclosure, but all his thoughts are about her exposed black bra strap and her nipples pressing against her thin cotton T-shirt. It doesn't take Lucy long to realize Stephen's a "manipulative jerk" and she is "beyond pathetic" in her desire for him, but their lives are now intertwined. Their story takes seven years to unfold, but it's a fast-paced ride through hookups, breakups, and infidelities fueled by alcohol and cocaine and with oodles of sizzling sexual tension. "Lucy was an itch, a song stuck in your head or a movie you need to rewatch or a food you suddenly crave," Stephen says in one of his point-of-view chapters, which alternate with Lucy's. The ending is perfect, as Lucy figures out the dark secret Stephen has kept hidden and learns the difference between lustful addiction and mature love.

There are unforgettable beauties in this very sexy story.

Pub Date: June 12, 2018

ISBN: 978-1-5011-6964-9

Page Count: 352

Publisher: Atria

Review Posted Online: March 20, 2018

Kirkus Reviews Issue: April 1, 2018

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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