A literate, moving wartime tale in which love triumphs over despair.

MY DEAR I WANTED TO TELL YOU

Innocence, devastation and restored hope cycle through two British couples after the men go to France to fight World War I and the women cope with their absence in very different ways. This is Young's first adult novel to be published in the United States. 

An epic love story, a grim war chronicle, a class study, a heartwarming tale of overcoming—London native Young's page-turner has Masterpiece Classic written all over it. Riley Purefoy, a bright, wide-eyed, working class boy, falls for the sweet, privileged and equally adoring Nadine Waveney after stumbling into a childhood job posing for her neighbor, a famous painter. At 18, still a prize model and still in love with Nadine, Riley enlists to flee from an embarrassing encounter with a gay student painter. He proves a good soldier and rises in rank, but immersed in daily traumas, sinks into disillusionment and then worse after a part of his face is shot off. Meanwhile, Riley's battle-scarred commanding officer, Peter Locke, is consumed by alcohol. Back home, while Nadine works as a volunteer nurse for returning soldiers, Peter's wife Julia obsesses over her looks after being rebuffed by him during a short leave. She risks a very different kind of plastic surgery than a devoted doctor performs on Riley to reconstruct his jaw. While following the conventions of Victorian-era fiction (unbeknownst to him, Riley's caregiver is Peter's cousin), Young brings a modern, frill-free sensibility to the material. There's considerably less sentimentality than you usually encounter in such stories. Young, a graceful and light-handed writer, offers a powerful account of war, and her detailed descriptions of the experimental reconstructive surgery add a compelling element to the story.           

A literate, moving wartime tale in which love triumphs over despair.

Pub Date: May 31, 2011

ISBN: 978-0-06-199714-3

Page Count: 336

Publisher: Harper/HarperCollins

Review Posted Online: April 5, 2011

Kirkus Reviews Issue: March 15, 2011

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Miller makes Homer pertinent to women facing 21st-century monsters.

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CIRCE

A retelling of ancient Greek lore gives exhilarating voice to a witch.

“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.

Miller makes Homer pertinent to women facing 21st-century monsters.

Pub Date: April 10, 2018

ISBN: 978-0-316-55634-7

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Jan. 23, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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Still, a respectful and absorbing page-turner.

THE NIGHTINGALE

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 20, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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