A biographer and literary critic's memoir of growing up in Hoboken, N.J., in a claustrophobic Italian-American family. DeSalvo (English/Hunter College; Conceived with Malice, 1994, etc.) was the first member of her working-class family to graduate from college. She escaped a stultifying home life—depressed and agoraphobic mother, belligerent and rigid father—through books, movies, study, and boys, boys, boys. She became a Virginia Woolf scholar, writing in her controversial 1989 study about the impact of childhood sexual abuse on Woolf's work. The effort to come to grips with the lingering mental strain caused by her mother's death, her sister's suicide, her memory of childhood traumas of her own—plus the intense, consuming life of an academic writer- -eventually compelled her to write about her own life in an effort to ``to give it some shape, some order.'' The result is an extremely readable book—if not necessarily a lovable one. DeSalvo's prose is plain; her tone often cool. We gain insight into her life and her mother's life—but not her dead sister's. New Jersey of the 1950s is vividly evoked, but DeSalvo's present situation as teacher, wife, and mother is less vivid. Among the book's best elements: a list of her mother's punitive and pathetic attempts at cooking—from liver, heart, and snails to head cheese, eels, and octupus. Vertigo's main failing is a lack of continuity; there is a grab-bag feeling to some of the reminiscences, and sometimes topics are misleadingly highlighted—a chapter called ``Anorexia,'' for example, is not about the anorexia of the author or anyone close to her, but rather about anorexia in general, and the effect is that of DeSalvo's trying to touch all possible feminist bases. Strangely cool, ultimately more successful as cultural history than psychological memoir, DeSalvo's book is nevertheless gripping in its parade of detail and profusion of stories about how ``a working-class Italian girl became a critic and writer.'' (Author tour)
Pub Date: Aug. 21, 1996
ISBN: 0-525-93908-3
Page Count: 288
Publisher: Dutton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1996
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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