This second novel in a planned trilogy lacks the breadth and richness of Erdrich at her best, but middling Erdrich is still...

READ REVIEW

THE ROUND HOUSE

Erdrich returns to the North Dakota Ojibwe community she introduced in The Plague of Doves (2008)—akin but at a remove from the community she created in the continuum of books from Love Medicine to The Red Convertible—in this story about the aftermath of a rape.

Over a decade has passed. Geraldine and Judge Bazil Coutts, who figured prominently in the earlier book, are spending a peaceful Sunday afternoon at home. While Bazil naps, Geraldine, who manages tribal enrollment, gets a phone call. A little later she tells her 13-year-old son, Joe, she needs to pick up a file in her office and drives away. When she returns hours later, the family’s idyllic life and Joe’s childhood innocence are shattered. She has been attacked and raped before escaping from a man who clearly intended to kill her. She is deeply traumatized and unwilling to identify the assailant, but Bazil and Joe go through Bazil’s case files, looking for suspects, men with a grudge against Bazil, who adjudicates cases under Native American jurisdiction, most of them trivial. Joe watches his parents in crisis and resolves to avenge the crime against his mother. But it is summer, so he also hangs out with his friends, especially charismatic, emotionally precocious Cappy. The novel, told through the eyes of a grown Joe looking back at himself as a boy, combines a coming-of-age story (think Stand By Me) with a crime and vengeance story while exploring Erdrich’s trademark themes: the struggle of Native Americans to maintain their identity; the legacy of the troubled, unequal relationship between Native Americans and European Americans, a relationship full of hatred but also mutual dependence; the role of the Catholic Church within a Native American community that has not entirely given up its own beliefs or spirituality. Favorite Erdrich characters like Nanapush and Father Damien make cameo appearances.

This second novel in a planned trilogy lacks the breadth and richness of Erdrich at her best, but middling Erdrich is still pretty great.

Pub Date: Oct. 2, 2012

ISBN: 978-0-06-206524-7

Page Count: 336

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 14, 2012

Kirkus Reviews Issue: Sept. 1, 2012

Did you like this book?

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

DEVOLUTION

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

Did you like this book?

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Our Verdict

  • Our Verdict
  • GET IT

  • New York Times Bestseller

  • IndieBound Bestseller

THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in White society, is shedding her fur coat. Jude, so Black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her White persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

Did you like this book?

more