There is much to rue in this novel about our world but also hope for salvation: “I think we have survived because we love...
The idea that evolution could suddenly move backward may seem like an incredible fantasy, but in this dreamlike, suspenseful novel, it's a fitting analogue for the environmental degradation we already experience.
A biological apocalypse has animals suddenly appearing in trippy, shocking manifestations—a dragonfly with a 6-foot wingspan, “golden-green eyes the size of softballs,” for example. Humans aren’t immune to “life dissolving into its mineral components,” which is why the new American government, the Church of the New Constitution, expands the original intent of the Patriot Act and requires all pregnant women to report to birthing centers. During a biological apocalypse set two months in the future, when the borders between Mexico and Canada are sealed off, Cedar Hawk Songmaker—26, pregnant, and with a burning independent streak—eventually learns why the government will do anything to ensure she has her baby under strict surveillance. Not all the pregnant women are as useful to the authorities as Cedar is, because they think she has a rare “normal,” unaltered fetus in her womb. Born Ojibwe but adopted by earnest white liberals in Minneapolis, Cedar is a flinty, determined, spiritual woman whose hesitance to trust others comes in handy in a world where suddenly no one should be trusted. And Cedar has three worlds to navigate: the one she was raised in and the Ojibwe family she is just coming to know, not to mention a United States ruled by a religious government in which a creepy, all-seeing, robotic figure named Mother hunts for Cedar. Framed as a letter to Cedar's unborn child, this novel is bracing, humane, dedicated to witnessing the plight of women in a cruel universe, and full of profound spiritual questions and observations. Like some of Erdrich’s (LaRose, 2016, etc.) earlier work, it shifts adroitly in time and has a thoughtful, almost mournful insight into life on a Native reservation. If Erdrich hasn’t previously ventured into tropes normally employed by sci-fi writers, she doesn’t show the inexperience here.
There is much to rue in this novel about our world but also hope for salvation: “I think we have survived because we love beauty and because we find each other beautiful,” as the novel's protagonist puts it. “I think it may be our strongest quality.”Pub Date: Nov. 14, 2017
ISBN: 978-0-06-269405
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 5, 2017
Kirkus Reviews Issue: Aug. 15, 2017
PROFILES
An ambitious and satisfying conclusion to a monumental saga.
Brown completes his science-fiction trilogy with another intricately plotted and densely populated tome, this one continuing the focus on a rebellion against the imperious Golds.
This last volume is incomprehensible without reference to the first two. Briefly, Darrow of Lykos, aka Reaper, has been “carved” from his status as a Red (the lowest class) into a Gold. This allows him to infiltrate the Gold political infrastructure…but a game’s afoot, and at the beginning of the third volume, Darrow finds himself isolated and imprisoned for his insurgent activities. He longs both for rescue and for revenge, and eventually he gets both. Brown is an expert at creating violent set pieces whose cartoonish aspects (“ ‘Waste ’em,’ Sevro says with a sneer” ) are undermined by the graphic intensity of the savagery, with razors being a favored instrument of combat. Brown creates an alternative universe that is multilayered and seething with characters who exist in a shadow world between history and myth, much as in Frank Herbert’s Dune. This world is vaguely Teutonic/Scandinavian (with characters such as Magnus, Ragnar, and the Valkyrie) and vaguely Roman (Octavia, Romulus, Cassius) but ultimately wholly eclectic. At the center are Darrow, his lover, Mustang, and the political and military action of the Uprising. Loyalties are conflicted, confusing, and malleable. Along the way we see Darrow become more heroic and daring and Mustang, more charismatic and unswerving, both agents of good in a battle against forces of corruption and domination. Among Darrow’s insights as he works his way to a position of ascendancy is that “as we pretend to be brave, we become so.”
An ambitious and satisfying conclusion to a monumental saga.Pub Date: Feb. 9, 2016
ISBN: 978-0-345-53984-7
Page Count: 400
Publisher: Del Rey/Ballantine
Review Posted Online: Dec. 8, 2015
Kirkus Reviews Issue: Dec. 15, 2015
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the...
Brown presents the second installment of his epic science-fiction trilogy, and like the first (Red Rising, 2014), it’s chock-full of interpersonal tension, class conflict and violence.
The opening reintroduces us to Darrow au Andromedus, whose wife, Eo, was killed in the first volume. Also known as the Reaper, Darrow is a lancer in the House of Augustus and is still looking for revenge on the Golds, who are both in control and in the ascendant. The novel opens with a galactic war game, seemingly a simulation, but Darrow’s opponent, Karnus au Bellona, makes it very real when he rams Darrow’s ship and causes a large number of fatalities. In the main narrative thread, Darrow has infiltrated the Golds and continues to seek ways to subvert their oppressive and dominant culture. The world Brown creates here is both dense and densely populated, with a curious amalgam of the classical, the medieval and the futuristic. Characters with names like Cassius, Pliny, Theodora and Nero coexist—sometimes uneasily—with Daxo, Kavax and Sevro. And the characters inhabit a world with a vaguely medieval social hierarchy yet containing futuristic technology such as gravBoots. Amid the chronological murkiness, one thing is clear—Darrow is an assertive hero claiming as a birthright his obligation to fight against oppression: "For seven hundred years we have been enslaved….We have been kept in darkness. But there will come a day when we walk in the light." Stirring—and archetypal—stuff.
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the future and quasi-historicism.Pub Date: Jan. 6, 2015
ISBN: 978-0-345-53981-6
Page Count: 448
Publisher: Del Rey/Ballantine
Review Posted Online: Oct. 22, 2014
Kirkus Reviews Issue: Nov. 1, 2014
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