Strange amorous encounters underscore the dissolute Rilke’s appeal, but the reasons for his dogged sleuthing remain a...

THE CUTTING ROOM

A debut crime novel with aspirations, featuring a quintessential flawed hero, a smart and morally ambivalent gay Glaswegian auctioneer.

Rilke’s fixations are far from noble when he first enters the McKindless place, a gloomy townhouse complete with a sharp-eyed spinster seeking a quick sale of her just-deceased brother’s belongings. Rilke’s auction house, long-established in Glasgow but a good deal seedier than Sotheby’s, hasn’t seen quality of the kind he’s being offered in a generation, so he swallows his questions and proceeds with business. While going through the brother’s private office in the attic, at the spinster’s request, Rilke finds an envelope full of pornographic photos featuring the deceased, decades younger, but Rilke’s blood congeals at the sight of some of them, since they seem to depict real torture and worse. He opens an investigation of his own—after being picked up in a police raid of a gay hotspot and saved by an old chum on the force, only to help another old chum, now a drug dealer, move his stash to a more secure location after he’s been raided. The search takes him to a porno-film producer, then to a would-be actress running a private peepshow; the deeper in Rilke gets, the more repulsed and fascinated. Even after the actress reveals that McKindless had engaged her for a necrophilia photo shoot, and suggested “cutting” her, Rilke still doesn’t take what he knows to his friend the policeman. Something keeps him digging until a brush with death, more tangible evidence of McKindless’s evil deeds, and action from beyond the grave threaten to bring the unspeakable horrors of the past to life again.

Strange amorous encounters underscore the dissolute Rilke’s appeal, but the reasons for his dogged sleuthing remain a mystery, making him a shadowy figure as frustrating as he is fascinating to observe.

Pub Date: March 19, 2003

ISBN: 1-84195-280-X

Page Count: 304

Publisher: Canongate

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Jan. 1, 2003

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ONE DAY IN THE LIFE OF IVAN DENISOVICH

While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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TRUE BETRAYALS

Thoroughbreds and Virginia blue-bloods cavort, commit murder, and fall in love in Roberts's (Hidden Riches, 1994, etc.) latest romantic thriller — this one set in the world of championship horse racing. Rich, sheltered Kelsey Byden is recovering from a recent divorce when she receives a letter from her mother, Naomi, a woman she has believed dead for over 20 years. When Kelsey confronts her genteel English professor father, though, he sheepishly confesses that, no, her mother isn't dead; throughout Kelsey's childhood, she was doing time for the murder of her lover. Kelsey meets with Naomi and not only finds her quite charming, but the owner of Three Willows, one of the most splendid horse farms in Virginia. Kelsey is further intrigued when she meets Gabe Slater, a blue-eyed gambling man who owns a neighboring horse farm; when one of Gabe's horses is mated with Naomi's, nostrils flare, flanks quiver, and the romance is on. Since both Naomi and Gabe have horses entered in the Kentucky Derby, Kelsey is soon swept into the whirlwind of the Triple Crown, in spite of her family's objections to her reconciliation with the notorious Naomi. The rivalry between the two horse farms remains friendly, but other competitors — one of them is Gabe's father, a vicious alcoholic who resents his son's success — prove less scrupulous. Bodies, horse and human, start piling up, just as Kelsey decides to investigate the murky details of her mother's crime. Is it possible she was framed? The ground is thick with no-goods, including haughty patricians, disgruntled grooms, and jockeys with tragic pasts, but despite all the distractions, the identity of the true culprit behind the mayhem — past and present — remains fairly obvious. The plot lopes rather than races to the finish. Gambling metaphors abound, and sexual doings have a distinctly equine tone. But Roberts's style has a fresh, contemporary snap that gets the story past its own worst excesses.

Pub Date: June 13, 1995

ISBN: 0-399-14059-X

Page Count: 400

Publisher: Putnam

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 15, 1995

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