The dynamic protagonist leads a smart and indelible whodunit.



From the A Sam Chitto Mystery series , Vol. 2

In Clifton’s (Seeking Cassandra, 2016, etc.) latest thriller, a detective steps outside his jurisdiction to help a mother prove an unidentified skull belongs to her decadeslong missing son.

Peony Folsom specifically requests Sam Chitto of the Choctaw Tribal Police in Oklahoma, since old mystic Sonny Boy Munro assured her that the detective can help. Sonny Boy calls him the Nameless One, a legendary hunter according to Choctaw teachings, and Peony wants Chitto to find her son, Walter, who’s been missing for over 35 years. Based on an artist’s rendering, Peony believes authorities found Walter’s skull in Leona Mann’s recently exhumed coffin, sans Leona’s head and the skull’s body. Retrieving Walter’s remains for a proper ceremony entails Chitto looking into a double homicide from the same night Walter vanished: Leona and her boyfriend, Billy Rob Niles. The detective’s perturbed by the sketchy investigation of the murders; there was no medical examiner involved, and a witness’s name was strangely omitted. But Chitto fears whoever murdered the couple—and maybe Walter as well—is still alive, and the hit-and-run that nearly killed Peony not long ago was a calculated response to the woman asking too many questions about the skull. Having well-established the protagonist’s Native American culture and back story (including his late wife, Mary) in the first Chitto novel, Clifton concentrates the series’ second tale on the mystery. There’s plenty to savor, from an unknown trainman who watched the cops move the couple’s bodies to Walter’s daughter, Crystal, aiding Chitto’s investigation and feeling sure that both her parents abandoned her. While readers may pinpoint the killer(s) before Chitto, the story ends with a lingering question open to interpretation (and one possible explanation that’s truly unsettling). Always-accommodating Sgt. Frank Tubbe makes a welcome return, but scene-stealing clerical floater Jasmine Birdsong proves useful in the probe as well as choosing a candidate for the position she’s temporarily filling. One can only hope she’ll stick around and become a series staple.

The dynamic protagonist leads a smart and indelible whodunit.

Pub Date: March 6, 2017

ISBN: 978-0-9985284-0-3

Page Count: 286

Publisher: Two Shadows

Review Posted Online: March 14, 2017

Kirkus Reviews Issue: April 15, 2017

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While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the...


Hannah’s sequel to Firefly Lane (2008) demonstrates that those who ignore family history are often condemned to repeat it.

When we last left Kate and Tully, the best friends portrayed in Firefly Lane, the friendship was on rocky ground. Now Kate has died of cancer, and Tully, whose once-stellar TV talk show career is in free fall, is wracked with guilt over her failure to be there for Kate until her very last days. Kate’s death has cemented the distrust between her husband, Johnny, and daughter Marah, who expresses her grief by cutting herself and dropping out of college to hang out with goth poet Paxton. Told mostly in flashbacks by Tully, Johnny, Marah and Tully’s long-estranged mother, Dorothy, aka Cloud, the story piles up disasters like the derailment of a high-speed train. Increasingly addicted to prescription sedatives and alcohol, Tully crashes her car and now hovers near death, attended by Kate’s spirit, as the other characters gather to see what their shortsightedness has wrought. We learn that Tully had tried to parent Marah after her father no longer could. Her hard-drinking decline was triggered by Johnny’s anger at her for keeping Marah and Paxton’s liaison secret. Johnny realizes that he only exacerbated Marah’s depression by uprooting the family from their Seattle home. Unexpectedly, Cloud, who rebuffed Tully’s every attempt to reconcile, also appears at her daughter’s bedside. Sixty-nine years old and finally sober, Cloud details for the first time the abusive childhood, complete with commitments to mental hospitals and electroshock treatments, that led to her life as a junkie lowlife and punching bag for trailer-trash men. Although powerful, Cloud’s largely peripheral story deflects focus away from the main conflict, as if Hannah was loath to tackle the intractable thicket in which she mired her main characters.

Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the pages turning even as readers begin to resent being drawn into this masochistic morass.

Pub Date: April 23, 2013

ISBN: 978-0-312-57721-6

Page Count: 416

Publisher: St. Martin's

Review Posted Online: Feb. 18, 2013

Kirkus Reviews Issue: March 1, 2013

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