by Lu Clifton ‧ RELEASE DATE: Feb. 19, 2018
Another sharp mystery in a continually improving series.
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In the third installment of Clifton’s (The Bonepicker, 2017, etc.) thriller series, Detective Sam Chitto of the Choctaw Tribal Police in southeastern Oklahoma tries to prove a high schooler innocent of murder while also digging into his own father’s decade-old homicide.
Chitto first hears about Bobby Taneyhill from two concerned members of the Choctaw Nation Tribal Council, one of whom is his mother, Mattie Chitto. She and June Biggers want him to help the teen, who’s been charged with first-degree murder for the mutilation death of 33-year-old Muriel Simpson. Authorities are discounting an alibi supplied by Bobby’s tribal-elder grandfather, Charlie Walker, and instead rely on circumstantial evidence: the boy’s graphic novels, which are filled with savage imagery that he drew. The murder victim had worked at the Spiro Mounds Archaeology Center, near where Chitto’s cop father, Will, and Will’s partner, Bert Gilly, were murdered 10 years ago. Chitto’s boss, Dan Blackfox, allows him to pursue a low-profile investigation into Bobby’s case, which is currently in trial, but he tells him to avoid his father’s. Regardless, Chitto delves into both from a rented cabin near the Spiro Mounds, bringing along his trusty hound, Boycott, and consulting with his administrative assistant, Jasmine Birdsong, by phone. He already has a suspect in his father’s murder, but he’s still searching for one for the more recent homicide. Clifton dives right into the mystery at the start of the novel, opening with Mattie and June’s emphatic entrance into Chitto’s office, soaking wet from a thunderstorm. The concurrent investigations are equally engrossing; at one point, for example, Chitto questions why he never learned of a relevant phone call that Gilly received; meanwhile, his suspect list for the Simpson murder wisely includes Bobby. There’s more focus on the present-day case, which intermittently puts Chitto in the role of spectator, watching the trial unfold in the courtroom. It’s surprisingly exhilarating to watch Chitto race to catch up with two cases that are already well underway. The various characters are vibrant, but Jasmine, once again, shines brightest, handling the bulk of the story’s dry humor; in one scene, for instance, she demands a raise but immediately settles for two weeks of Chitto's buying her coffee.
Another sharp mystery in a continually improving series.Pub Date: Feb. 19, 2018
ISBN: 978-0-9985284-2-7
Page Count: 316
Publisher: N/A
Review Posted Online: Feb. 11, 2018
Kirkus Reviews Issue: April 15, 2018
Review Program: Kirkus Indie
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by Stephen King ‧ RELEASE DATE: June 8, 1987
Fans weary of King's recent unwieldy tomes can rest easy: his newest is slim, slick, and razor-keen. His first novel without supernatural elements outside of the Richard Bachman series, this psychological terror tale laced with pitch-black humor tells the nerve-jangling story of a best-selling author kidnapped and tortured by his "number one fan." King opens on a disorienting note as writer Paul Sheldon drifts awake to find himself in bed, his legs shattered. A beefy woman, 40-ish Annie Wilkes, appears and feeds him barbiturates. During the hazy next week, Paul learns that Annie, an ex-nurse, carried him from a car wreck to her isolated house, where she plans to keep him indefinitely. She's a spiteful misanthrope subject to catatonic fits, but worships Paul because he writes her favorite books, historical novels featuring the heroine "Misery." As Annie pumps him with drugs and reads the script of his latest novel, also saved from the wreck, Paul waits with growing apprehension—he killed off Misery in this new one. tn time, Annie rushes into the room, howling: she demands that Paul write a new novel resurrecting Misery just for her. He refuses until she threatens to withhold his drugs; so he begins the book (tantalizing chunks of which King seeds throughout this novel). Days later, when Annie goes to town, Paul, who's now in a wheelchair, escapes his locked room and finds a scrapbook with clippings of Annie's hobby: she's a mass-murderer. Up to here, King has gleefully slathered on the tension: now he slams on the shocks as Annie returns swinging an axe and chops off Paul's foot. Soon after, off comes his thumb; when a cop looking for Paul shows up, Annie lawnmowers his head. Burning for revenge, Paul finishes his novel, only to use the manuscript as a weapon against his captor in the ironic, ferocious climax. Although lacking the psychological richness of his best work, this nasty shard of a novel with its weird autobiographical implications probably will thrill and chill King's legion of fans. Note: the publisher plans an unprecedented first printing of one-million copies.
Pub Date: June 8, 1987
ISBN: 0451169522
Page Count: 356
Publisher: Viking
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: May 15, 1987
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BOOK TO SCREEN
adapted by Lise Lunge-Larsen & Margi Preus ‧ RELEASE DATE: March 1, 1999
Lunge-Larsen and Preus debut with this story of a flower that blooms for the first time to commemorate the uncommon courage of a girl who saves her people from illness. The girl, an Ojibwe of the northern woodlands, knows she must journey to the next village to get the healing herb, mash-ki- ki, for her people, who have all fallen ill. After lining her moccasins with rabbit fur, she braves a raging snowstorm and crosses a dark frozen lake to reach the village. Then, rather than wait for morning, she sets out for home while the villagers sleep. When she loses her moccasins in the deep snow, her bare feet are cut by icy shards, and bleed with every step until she reaches her home. The next spring beautiful lady slippers bloom from the place where her moccasins were lost, and from every spot her injured feet touched. Drawing on Ojibwe sources, the authors of this fluid retelling have peppered the tale with native words and have used traditional elements, e.g., giving voice to the forces of nature. The accompanying watercolors, with flowing lines, jewel tones, and decorative motifs, give stately credence to the story’s iconic aspects. (Picture book/folklore. 4-8)
Pub Date: March 1, 1999
ISBN: 0-395-90512-5
Page Count: 32
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1999
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