Just watch I Know What You Did Last Summer instead.

THE SILENCE

The past is about to catch up to a group of friends that may have accidentally killed a serial killer.

A weekend music festival in the woods featuring 1990s cover bands seems like the perfect way for Liverpudlians Matt Connolly, his live-in girlfriend, Alexandra, and their childhood friends Stuart, Chris, Nicola, and Michelle to reconnect and shake off the middle-age doldrums. The fun turns into terror when Matt awakens in the middle of night to Stuart’s screams. The group eventually catches up to Stuart, who is fighting for his life with a machete-wielding maniac. Matt’s group soon gets the upper hand, and in the end, it’s not clear who dealt the killing blow, but the stranger is undeniably dead. Despite his friends’ urging, Matt nixes calling the authorities. For some inconceivable reason, he thinks they’ll be accused of killing the man in an alcohol- and drug-fueled frenzy. They bury the guy and plan to skedaddle, but they then discover the body of a young man next to a flickering red candle. They reason that the man they buried could be the mythical (so far) killer dubbed the Candle Man who leaves behind red candles when he abducts someone. But no bodies have been found, suggesting he’s a mere urban legend. Yikes, definitely time to leave and never speak of the incident again. Flash-forward a year. Guilt has been eating at Matt, whose narrative alternates between past and present, and his friends. After one of their own supposedly jumps in front of a train, they begin finding the distinctive red candles in their homes. They suspect the man they killed may have had an accomplice who is now targeting them one by one. Unfortunately, the narrative largely consists of Matt and the gang arguing the merits of confessing versus keeping their secret, and after slogging through a glacially paced story nearly devoid of suspense, readers might find it’s too much work to get to a shock twist that isn’t fully earned.

Just watch I Know What You Did Last Summer instead.

Pub Date: Aug. 4, 2020

ISBN: 978-1-4926-78748

Page Count: 400

Publisher: Sourcebooks Landmark

Review Posted Online: June 3, 2020

Kirkus Reviews Issue: June 15, 2020

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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DEVOLUTION

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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A weird, wild ride.

THE HOUSE ACROSS THE LAKE

Celebrity scandal and a haunted lake drive the narrative in this bestselling author’s latest serving of subtly ironic suspense.

Sager’s debut, Final Girls (2017), was fun and beautifully crafted. His most recent novels—Home Before Dark (2020) and Survive the Night (2021) —have been fun and a bit rickety. His new novel fits that mold. Narrator Casey Fletcher grew up watching her mother dazzle audiences, and then she became an actor herself. While she never achieves the “America’s sweetheart” status her mother enjoyed, Casey makes a career out of bit parts in movies and on TV and meatier parts onstage. Then the death of her husband sends her into an alcoholic spiral that ends with her getting fired from a Broadway play. When paparazzi document her substance abuse, her mother exiles her to the family retreat in Vermont. Casey has a dry, droll perspective that persists until circumstances overwhelm her, and if you’re getting a Carrie Fisher vibe from Casey Fletcher, that is almost certainly not an accident. Once in Vermont, she passes the time drinking bourbon and watching the former supermodel and the tech mogul who live across the lake through a pair of binoculars. Casey befriends Katherine Royce after rescuing her when she almost drowns and soon concludes that all is not well in Katherine and Tom’s marriage. Then Katherine disappears….It would be unfair to say too much about what happens next, but creepy coincidences start piling up, and eventually, Casey has to face the possibility that maybe some of the eerie legends about Lake Greene might have some truth to them. Sager certainly delivers a lot of twists, and he ventures into what is, for him, new territory. Are there some things that don’t quite add up at the end? Maybe, but asking that question does nothing but spoil a highly entertaining read.

A weird, wild ride.

Pub Date: June 21, 2022

ISBN: 978-0-593-18319-9

Page Count: 368

Publisher: Dutton

Review Posted Online: March 30, 2022

Kirkus Reviews Issue: April 15, 2022

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