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SHADOW PATRIOTS

Wholly believable, confidently realized, attention-holding historical fiction.

Petticoat espionage in a decidedly stinky, dangerous Old New York.

Few novelists working now have a better grasp of early American history than Robson (Fearless, 1998, etc.), who, among her other virtues, understands that not every colonist talked like a pirate and shuns outré and anachronistic dialect. In this spirited—and quite entertaining—confection, she turns her attention to a Quaker clan in a New York whose administration isn’t quite working at the dawn of the Revolution, with all the mounds of uncollected garbage that entails. The likes of General Howe and suave spy Major Andre wish very much to see royal governance restored, and Rob Townsend hasn’t been doing much to stop them; he “had watched the Continental Army straggle into the city four months ago, but this was not his fight. He was a Quaker, and he swore loyalty to no one but God.” Hearing the Declaration of Independence proclaimed changes Rob’s mind, and fellow Quaker Seth Darby and his 17-year-old sister Kate likewise opt for the rebel cause, all prepared to give their lives just as good Nathan Hale is about to do. Rob has a thing for Kate (“He clasped his hands behind his back so she would not see him trembling”). So does Major Andre, and Kate has, well, reciprocal views: “He did have the most beautiful teeth and eyes. Kate felt the usual flutter in her chest whenever he was near.” Even Benedict Arnold, Andre’s onetime bête noire and ally-to-be, notices Kate, and he’s got his hands full with the tenacious Peggy Shippen, a figure nicely drafted out of real history to do duty here. Chests heave, flintlocks discharge, and history takes its ever unpredictable twists and turns as spy meets spy, George Washington tells fibs that would make Parson Weems wince, Alex Hamilton takes offense at everyone and everything and the Revolution suffers its darkest hours.

Wholly believable, confidently realized, attention-holding historical fiction.

Pub Date: May 1, 2005

ISBN: 0-765-30550-X

Page Count: 352

Publisher: Forge

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2005

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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