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SHADOW PATRIOTS

Wholly believable, confidently realized, attention-holding historical fiction.

Petticoat espionage in a decidedly stinky, dangerous Old New York.

Few novelists working now have a better grasp of early American history than Robson (Fearless, 1998, etc.), who, among her other virtues, understands that not every colonist talked like a pirate and shuns outré and anachronistic dialect. In this spirited—and quite entertaining—confection, she turns her attention to a Quaker clan in a New York whose administration isn’t quite working at the dawn of the Revolution, with all the mounds of uncollected garbage that entails. The likes of General Howe and suave spy Major Andre wish very much to see royal governance restored, and Rob Townsend hasn’t been doing much to stop them; he “had watched the Continental Army straggle into the city four months ago, but this was not his fight. He was a Quaker, and he swore loyalty to no one but God.” Hearing the Declaration of Independence proclaimed changes Rob’s mind, and fellow Quaker Seth Darby and his 17-year-old sister Kate likewise opt for the rebel cause, all prepared to give their lives just as good Nathan Hale is about to do. Rob has a thing for Kate (“He clasped his hands behind his back so she would not see him trembling”). So does Major Andre, and Kate has, well, reciprocal views: “He did have the most beautiful teeth and eyes. Kate felt the usual flutter in her chest whenever he was near.” Even Benedict Arnold, Andre’s onetime bête noire and ally-to-be, notices Kate, and he’s got his hands full with the tenacious Peggy Shippen, a figure nicely drafted out of real history to do duty here. Chests heave, flintlocks discharge, and history takes its ever unpredictable twists and turns as spy meets spy, George Washington tells fibs that would make Parson Weems wince, Alex Hamilton takes offense at everyone and everything and the Revolution suffers its darkest hours.

Wholly believable, confidently realized, attention-holding historical fiction.

Pub Date: May 1, 2005

ISBN: 0-765-30550-X

Page Count: 352

Publisher: Forge

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2005

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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