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SHADOW PATRIOTS

Wholly believable, confidently realized, attention-holding historical fiction.

Petticoat espionage in a decidedly stinky, dangerous Old New York.

Few novelists working now have a better grasp of early American history than Robson (Fearless, 1998, etc.), who, among her other virtues, understands that not every colonist talked like a pirate and shuns outré and anachronistic dialect. In this spirited—and quite entertaining—confection, she turns her attention to a Quaker clan in a New York whose administration isn’t quite working at the dawn of the Revolution, with all the mounds of uncollected garbage that entails. The likes of General Howe and suave spy Major Andre wish very much to see royal governance restored, and Rob Townsend hasn’t been doing much to stop them; he “had watched the Continental Army straggle into the city four months ago, but this was not his fight. He was a Quaker, and he swore loyalty to no one but God.” Hearing the Declaration of Independence proclaimed changes Rob’s mind, and fellow Quaker Seth Darby and his 17-year-old sister Kate likewise opt for the rebel cause, all prepared to give their lives just as good Nathan Hale is about to do. Rob has a thing for Kate (“He clasped his hands behind his back so she would not see him trembling”). So does Major Andre, and Kate has, well, reciprocal views: “He did have the most beautiful teeth and eyes. Kate felt the usual flutter in her chest whenever he was near.” Even Benedict Arnold, Andre’s onetime bête noire and ally-to-be, notices Kate, and he’s got his hands full with the tenacious Peggy Shippen, a figure nicely drafted out of real history to do duty here. Chests heave, flintlocks discharge, and history takes its ever unpredictable twists and turns as spy meets spy, George Washington tells fibs that would make Parson Weems wince, Alex Hamilton takes offense at everyone and everything and the Revolution suffers its darkest hours.

Wholly believable, confidently realized, attention-holding historical fiction.

Pub Date: May 1, 2005

ISBN: 0-765-30550-X

Page Count: 352

Publisher: Forge

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2005

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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