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GHOST WARRIOR

LOZEN OF THE APACHES

A great main character, immense moral tragedy, all sung with full lungs.

Seventh in Robson’s phosphorescently magnificent gallery of forgotten women whom she’s dug up God knows where—even as far off as feudal Japan in The Tokaido Road. In the brook-clear historical fiction of Fearless (1998), she tells the fact-based story of Sarah Borginnis Bowman, six-foot with cayenne hair, who becomes an Army Woman with Zachary Taylor and follows him through battle after battle in the Southwest. In Mary’s Land (1995), we are drawn into the timeless bravery of Margaret Brent in the settling of Maryland as she oversees tobacco crops, balances a household, and keeps a weather eye on the parliament. Now Robson has discovered Lozen, unmarried sister of Chiricahua Apache chief Victorio. Blessed with horse magic and the gifts of healing and far-sight (she can see enemies farther off than anyone else), she becomes not only the legendary and battle-hardened woman fighter of the Apaches but Victorio’s wise counselor as well and his veritable right hand until his death, when she joins Geronimo. The Chiricahua are against everybody and at war with the universe, a wonderful people who bear great names: Talks A Lot, Ears So Big, He Steals Love, Flies in His Soup, and Flattened Penis. Don’t miss the immensely amusing chapter “Rear Guard,” in which the Apaches lift their breechclouts, “presenting their attackers with a long row of bare, brown backsides. They beat a tattoo on them, all the while hooting and shouting insults.”

A great main character, immense moral tragedy, all sung with full lungs.

Pub Date: May 1, 2001

ISBN: 0-312-87186-4

Page Count: 496

Publisher: Forge

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 2002

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LONESOME DOVE

This is a masterly novel. It will appeal to all lovers of fiction of the first order.

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana.

The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense.

This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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