A sharp, rainbow-colored tale that’s sure to entertain and teach young readers.
This debut middle-grade fantasy novel finds three children drawn into a magical quest to find other kids who went missing decades ago.
Ten-year-old Chelzy Stone, her parents, and her 12-year-old brother, Matthew, moved to Simonsville, Pennsylvania, a year ago. As summer approaches, she and Matthew are ready to enjoy their vacation from school. Matthew plans to read comics and play video games, and Chelzy hopes to explore the group of trees—or “Magic Woods,” as Grandpa Stone calls them—behind their home on Sycamore Street. One day, she glimpses what looks like a black-cloaked woman in flight near the trees, and it naturally stokes her imagination. She’s also excited to meet her new neighbor, a shy 11-year-old girl named Tory Herold. The new girl introduces the siblings to an old board game called The Lost and Found Game, which her Uncle Tony gave her. Eerily, the game’s cards feature pictures of black dust and a scrap of black cloth, which match real-life objects that Chelzy and Matthew recently found outside. Later, Grandpa Stone tells the kids about three Sycamore Street children who went missing in 1982, supposedly carried off into the woods by black birds. Do Chelzy, Matthew, and Tory dare investigate the Magic Woods themselves? After all, The Lost and Found Game ends with a challenge involving a Dark Queen. Procopio’s debut blends the dazzling splendor of Alice’s Adventures in Wonderland with structured magic that’s reminiscent of that in the Harry Potter series. It’s the colorful parade of characters that steals the show, however, including the Bright Queen and Melzabod, a blue unicorn who guides the kids through such areas as the Sea of Weeping Willows. Indeed, animal helpers abound, making it tough for “The Trio,” as the third-person narrator calls them, to err too badly. However, the author eventually adds a plot twist that forces Chelzy and company to rely on their own skills. She also adds real-life nature facts, including an explanation of the difference between evergreen and deciduous trees. A warm, thoughtful ending leads toward a sequel.
A sharp, rainbow-colored tale that’s sure to entertain and teach young readers.Pub Date: Oct. 13, 2013
ISBN: 978-0-9860607-0-0
Page Count: 262
Publisher: RoseLamp Publications
Review Posted Online: May 23, 2019
Kirkus Reviews Issue: July 1, 2019
Review Program: Kirkus Indie
BOOK REVIEW
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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