Another pleasant jaunt down a genealogical rabbit hole.
Third in Riley’s Seven Sisters series (The Storm Sister, 2016, etc.) about adopted daughters in search of their ancestry.
Star, real name Asterope after one of the “seven sisters” of the Pleiades star cluster, has, upon the recent death of her adoptive father, a wealthy Swiss seafarer, returned to her childhood chateau on Lake Geneva to retrieve his legacy to her: a figurine of a black panther, the address of a bookshop in London, and a name, Flora MacNichol. Star has given up dreams of academe to stay close to sister CeCe in London—so symbiotic is their relationship that Star has always been known as CeCe’s shadow. Star visits the bookshop, whose eccentric proprietor, Orlando Forbes, comes from impoverished nobility. When she learns that Flora, her presumed ancestor, may be related to Orlando, she accompanies him to the family seat, High Weald, in Kent, where she meets Orlando’s truculent brother Mouse, their cousin Marguerite Vaughan, and her young son Rory, heir to the estate. Star is immediately drawn to the crumbling hall and the surrounding flora and fauna. She consults journals she finds in the mansion and learns that in 1909, Flora gave up her true love, Archie, Lord Vaughan, to her younger sister Aurelia. For reasons not immediately revealed, Aurelia is the repository of her landed but cash-poor family’s hopes and limited resources, while Flora is treated like a stepchild despite her beauty and talent. (Flora is an animal lover and budding naturalist who will later become a protégé of Beatrix Potter.) After her parents sell their beloved country home to fund Aurelia’s dowry, Flora is sent to live with Mrs. Keppel, a society grand dame rumored to be King Edward’s mistress. With Mrs. Keppel’s help, Flora seems slated for an advantageous but loveless match to a drunken earl. The frame story structure serves this installment well—the past and present narratives are equally engaging. The storytelling is leisurely, almost to excess, then suddenly the stakes heighten as the Forbes-Vaughan connection is illuminated and Star discovers her true heritage and destiny.
Another pleasant jaunt down a genealogical rabbit hole.Pub Date: April 25, 2017
ISBN: 978-1-4767-5994-4
Page Count: 528
Publisher: Atria
Review Posted Online: Feb. 5, 2017
Kirkus Reviews Issue: Feb. 15, 2017
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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