Not quite fit for the classroom, but a fun romp nonetheless.
A teenaged boy is encouraged to start thinking big in this playful philosophy primer.
Old thinkers never die—they just wind up in the World of Ideas, a sort of limbo where they’re free to while away the hours debating matters of morality and identity. Among the most prominent residents there are Socrates and Ludwig Wittgenstein, who’ve made a wager that Socrates can’t help an average person make philosophy a useful part of life. Their unwitting guinea pig is Ben Warner, a 15-year-old who’s more concerned with his next soccer match, figuring out girls and avoiding his boss’s wrath at the fish-and-chips shop where he works. But he’s intrigued enough by his attractive guide—Socrates’ secretary, Lila—to begin making regular visits to the World of Ideas. (The towel closet in his house is a portal.) There, he meets pairs of people who take conflicting sides on philosophy’s key questions: Can you trust what your senses tell you? Are right and wrong absolute or relative? What is happiness? Is there such a thing as free will? The arguments usually aren’t attached to specific philosophers or points in history, which makes the novel only moderately useful as a textbook. Indeed, philosophy’s big names appear only briefly or in comedic contexts; John Donne and Emmanuel Kant make cameo appearances, Wittgenstein has an odd fixation on welding, and Aristotle is apparently nursing a crush on Simone de Beauvoir. Between the line drawings interspersed throughout and the lightly didactic tone, this is best approached as a sort of adult version of The Phantom Tollbooth, not a successor to Jostein Gaarder’s more sophisticated Sophie’s World. But Eyre has a great talent for injecting humor into dialogue, which keeps the debates entertaining while retaining their intellectual rigor; the arguments bounce back and forth rapidly, and Ben’s engaged responses reflect the reader’s own.
Not quite fit for the classroom, but a fun romp nonetheless.Pub Date: March 6, 2007
ISBN: 1-59691-300-2
Page Count: 288
Publisher: Bloomsbury
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2006
Suspenseful, full of incident, and not obviously necessary.
Atwood goes back to Gilead.
The Handmaid’s Tale (1985), consistently regarded as a masterpiece of 20th-century literature, has gained new attention in recent years with the success of the Hulu series as well as fresh appreciation from readers who feel like this story has new relevance in America’s current political climate. Atwood herself has spoken about how news headlines have made her dystopian fiction seem eerily plausible, and it’s not difficult to imagine her wanting to revisit Gilead as the TV show has sped past where her narrative ended. Like the novel that preceded it, this sequel is presented as found documents—first-person accounts of life inside a misogynistic theocracy from three informants. There is Agnes Jemima, a girl who rejects the marriage her family arranges for her but still has faith in God and Gilead. There’s Daisy, who learns on her 16th birthday that her whole life has been a lie. And there's Aunt Lydia, the woman responsible for turning women into Handmaids. This approach gives readers insight into different aspects of life inside and outside Gilead, but it also leads to a book that sometimes feels overstuffed. The Handmaid’s Tale combined exquisite lyricism with a powerful sense of urgency, as if a thoughtful, perceptive woman was racing against time to give witness to her experience. That narrator hinted at more than she said; Atwood seemed to trust readers to fill in the gaps. This dynamic created an atmosphere of intimacy. However curious we might be about Gilead and the resistance operating outside that country, what we learn here is that what Atwood left unsaid in the first novel generated more horror and outrage than explicit detail can. And the more we get to know Agnes, Daisy, and Aunt Lydia, the less convincing they become. It’s hard, of course, to compete with a beloved classic, so maybe the best way to read this new book is to forget about The Handmaid’s Tale and enjoy it as an artful feminist thriller.
Suspenseful, full of incident, and not obviously necessary.Pub Date: Sept. 10, 2019
ISBN: 978-0-385-54378-1
Page Count: 432
Publisher: Nan A. Talese
Review Posted Online: Sept. 3, 2019
Kirkus Reviews Issue: Sept. 15, 2019
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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