Very far over some readers' heads lies the sweetest of spots for others.
A dozen improvisatory narratives from a mind that just won't stop.
Art critic and author Ives offers a series of impossibly clever riffs on familiar features of modern life. Her two novels, Impossible Views of the World (2017) and Loudermilk (2019), embraced a wider audience, but the current collection is on the esoteric side, with plot and character serving mainly as carriers for intellectual humor and existential riffs. The title story, "Cosmogony," begins with characteristic élan: "A few years ago a friend of mine married a demon....The demon's name was Fulmious Mannerhorn Patterlully, and he was approximately 200,001 years old." FMP, as the narrator refers to him, has an “occult understanding of the stock market, [an] ability to produce fire on demand,” and a long-standing social network. Sometime after the wedding, the narrator runs into FMP in the grocery store: “He reels off her credit score, social security number, and the date on which [she] is currently scheduled to die.” Soon after, she begins dating an angel named Eric. Things don't go well for either couple. Whether you get it or not (we didn't), it's still pretty amusing. Other stories include the confessions of a woman who gets a job writing fake diaries for porn actresses; a very long Wikipedia entry for the word guy, with all the usual sections and 45 fictional references; a running joke about mistaking a book titled "Better Tennis" for "bitter tennis"; a dizzying confection that whips together the parlor game Murder, mathematical formulas, suicidal ideation, a lot of partying, and the author's mother's unusual hobby. The Care Bears, Louise Nevelson, Mallarmé, a bodega cat named Ersatz Panda...everything a grad student in semiotics could dream of is here.
Very far over some readers' heads lies the sweetest of spots for others.Pub Date: March 9, 2021
ISBN: 978-1-59376-599-6
Page Count: 256
Publisher: Soft Skull Press
Review Posted Online: Dec. 14, 2020
Kirkus Reviews Issue: Jan. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Sure to enchant even those who have never played a video game in their lives, with instant cult status for those who have.
The adventures of a trio of genius kids united by their love of gaming and each other.
When Sam Masur recognizes Sadie Green in a crowded Boston subway station, midway through their college careers at Harvard and MIT, he shouts, “SADIE MIRANDA GREEN. YOU HAVE DIED OF DYSENTERY!” This is a reference to the hundreds of hours—609 to be exact—the two spent playing “Oregon Trail” and other games when they met in the children’s ward of a hospital where Sam was slowly and incompletely recovering from a traumatic injury and where Sadie was secretly racking up community service hours by spending time with him, a fact which caused the rift that has separated them until now. They determine that they both still game, and before long they’re spending the summer writing a soon-to-be-famous game together in the apartment that belongs to Sam's roommate, the gorgeous, wealthy acting student Marx Watanabe. Marx becomes the third corner of their triangle, and decades of action ensue, much of it set in Los Angeles, some in the virtual realm, all of it riveting. A lifelong gamer herself, Zevin has written the book she was born to write, a love letter to every aspect of gaming. For example, here’s the passage introducing the professor Sadie is sleeping with and his graphic engine, both of which play a continuing role in the story: “The seminar was led by twenty-eight-year-old Dov Mizrah....It was said of Dov that he was like the two Johns (Carmack, Romero), the American boy geniuses who'd programmed and designed Commander Keen and Doom, rolled into one. Dov was famous for his mane of dark, curly hair, wearing tight leather pants to gaming conventions, and yes, a game called Dead Sea, an underwater zombie adventure, originally for PC, for which he had invented a groundbreaking graphics engine, Ulysses, to render photorealistic light and shadow in water.” Readers who recognize the references will enjoy them, and those who don't can look them up and/or simply absorb them. Zevin’s delight in her characters, their qualities, and their projects sprinkles a layer of fairy dust over the whole enterprise.
Sure to enchant even those who have never played a video game in their lives, with instant cult status for those who have.Pub Date: July 5, 2022
ISBN: 978-0-593-32120-1
Page Count: 416
Publisher: Knopf
Review Posted Online: April 12, 2022
Kirkus Reviews Issue: May 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
SEEN & HEARD
A novel of horrific beauty, where death is the only truth.
Even within the author’s extraordinary body of work, this stands as a radical achievement, a novel that demands to be read and reread.
McCarthy (No Country for Old Men, 2005, etc.) pushes his thematic obsessions to their extremes in a parable that reads like Night of the Living Dead as rewritten by Samuel Beckett. Where much of McCarthy’s fiction has been set in the recent past of the South and West, here he conjures a nightmare of an indeterminate future. A great fire has left the country covered in layers of ash and littered with incinerated corpses. Foraging through the wasteland are a father and son, neither named (though the son calls the father “Papa”). The father dimly remembers the world as it was and occasionally dreams of it. The son was born on the cusp of whatever has happened—apocalypse? holocaust?—and has never known anything else. His mother committed suicide rather than face the unspeakable horror. As they scavenge for survival, they consider themselves the “good guys,” carriers of the fire, while most of the few remaining survivors are “bad guys,” cannibals who eat babies. In order to live, they must keep moving amid this shadowy landscape, in which ashes have all but obliterated the sun. In their encounters along their pilgrimage to the coast, where things might not be better but where they can go no further, the boy emerges as the novel’s moral conscience. The relationship between father and son has a sweetness that represents all that’s good in a universe where conventional notions of good and evil have been extinguished. Amid the bleakness of survival—through which those who wish they’d never been born struggle to persevere—there are glimmers of comedy in an encounter with an old man who plays the philosophical role of the Shakespearean fool. Though the sentences of McCarthy’s recent work are shorter and simpler than they once were, his prose combines the cadence of prophecy with the indelible images of poetry.
A novel of horrific beauty, where death is the only truth.Pub Date: Oct. 2, 2006
ISBN: 0-307-26543-9
Page Count: 288
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2006
PERSPECTIVES
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SEEN & HEARD
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