Wonder Boys meets Cyrano de Bergerac meets Jacques Lacan meets Animal House. Something for everyone.

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LOUDERMILK

A moronic chick magnet gets a scholarship to a prestigious Midwestern writing program on the basis of poetry written by his dweeb sidekick.

Meet Troy Augustus Loudermilk: "Six foot three and built like a water polo champion. His face is hard to look away from. His square jaw resolves itself into a gentle cleft above which shapely lips give levity to otherwise chiseled features." What is almost more beautiful than Loudermilk's physical being is his gleefully transcribed speech, sparkling with "dick-munches," "nerf herders," "cum-dumpsters," "jizz rags," "fart crumbs," "brohams," and "get spastic with it, you Amish pirate you." His underdeveloped, terrified henchman, Harry Rego, resembles "a hobbit or shaved teddy bear" and is "not sure what you're supposed to do if you end up in a relationship with someone who may at once be a sociopath and/or pathological liar, plus situational narcissist, and/or suffering from a personality disorder, and then you also feel like they are the only person in the world who's ever understood you." Ives' second novel (Impossible Views of the World, 2017) is half gonzo grad school satire featuring these two princes among men, half theoretical inquiry into the nature of writing and reality. Holding down the more highbrow side of things is a character named Clare Elwil, who contributes a dead father, lots of introspection ("bounding through the endless black and rainbow that is the mountain-heap of images constituting the trash-heap of her being"), and four short stories, which appear as a kind of performance art within the novel. Also included are several of the works Harry writes as T.A. Loudermilk—poems that set the entire student body and faculty back on their heels in awe. We're 99 percent sure the admiration these inspire is supposed to be a joke, but since there were a number of other things that went over our heads, we could be wrong.

Wonder Boys meets Cyrano de Bergerac meets Jacques Lacan meets Animal House. Something for everyone.

Pub Date: May 7, 2019

ISBN: 978-1-59376-390-9

Page Count: 352

Publisher: Soft Skull Press

Review Posted Online: Feb. 4, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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An exuberant comic opera set to the music of life.

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DEACON KING KONG

The versatile and accomplished McBride (Five Carat Soul, 2017, etc.) returns with a dark urban farce crowded with misjudged signals, crippling sorrows, and unexpected epiphanies.

It's September 1969, just after Apollo 11 and Woodstock. In a season of such events, it’s just as improbable that in front of 16 witnesses occupying the crowded plaza of a Brooklyn housing project one afternoon, a hobbling, dyspeptic, and boozy old church deacon named Cuffy Jasper "Sportcoat" Lambkin should pull out a .45-caliber Luger pistol and shoot off an ear belonging to the neighborhood’s most dangerous drug dealer. The 19-year-old victim’s name is Deems Clemens, and Sportcoat had coached him to be “the best baseball player the projects had ever seen” before he became “a poison-selling murderous meathead.” Everybody in the project presumes that Sportcoat is now destined to violently join his late wife, Hettie, in the great beyond. But all kinds of seemingly disconnected people keep getting in destiny's way, whether it’s Sportcoat’s friend Pork Sausage or Potts, a world-weary but scrupulous white policeman who’s hoping to find Sportcoat fast enough to protect him from not only Deems’ vengeance, but the malevolent designs of neighborhood kingpin Butch Moon. All their destines are somehow intertwined with those of Thomas “The Elephant” Elefante, a powerful but lonely Mafia don who’s got one eye trained on the chaos set off by the shooting and another on a mysterious quest set in motion by a stranger from his crime-boss father’s past. There are also an assortment of salsa musicians, a gentle Nation of Islam convert named Soup, and even a tribe of voracious red ants that somehow immigrated to the neighborhood from Colombia and hung around for generations, all of which seems like too much stuff for any one book to handle. But as he's already shown in The Good Lord Bird (2013), McBride has a flair for fashioning comedy whose buoyant outrageousness barely conceals both a steely command of big and small narrative elements and a river-deep supply of humane intelligence.

An exuberant comic opera set to the music of life.

Pub Date: March 3, 2020

ISBN: 978-0-7352-1672-3

Page Count: 384

Publisher: Riverhead

Review Posted Online: Dec. 9, 2019

Kirkus Reviews Issue: Jan. 1, 2020

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Wingate sheds light on a shameful true story of child exploitation but is less successful in engaging readers in her...

BEFORE WE WERE YOURS

Avery Stafford, a lawyer, descendant of two prominent Southern families and daughter of a distinguished senator, discovers a family secret that alters her perspective on heritage.

Wingate (Sisters, 2016, etc.) shifts the story in her latest novel between present and past as Avery uncovers evidence that her Grandma Judy was a victim of the Tennessee Children’s Home Society and is related to a woman Avery and her father meet when he visits a nursing home. Although Avery is living at home to help her parents through her father’s cancer treatment, she is also being groomed for her own political career. Readers learn that investigating her family’s past is not part of Avery's scripted existence, but Wingate's attempts to make her seem torn about this are never fully developed, and descriptions of her chemistry with a man she meets as she's searching are also unconvincing. Sections describing the real-life orphanage director Georgia Tann, who stole poor children, mistreated them, and placed them for adoption with wealthy clients—including Joan Crawford and June Allyson—are more vivid, as are passages about Grandma Judy and her siblings. Wingate’s fans and readers who enjoy family dramas will find enough to entertain them, and book clubs may enjoy dissecting the relationship and historical issues in the book.

Wingate sheds light on a shameful true story of child exploitation but is less successful in engaging readers in her fictional characters' lives.

Pub Date: June 6, 2017

ISBN: 978-0-425-28468-1

Page Count: 352

Publisher: Ballantine

Review Posted Online: March 21, 2017

Kirkus Reviews Issue: April 1, 2017

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