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WHO MOVED MY BLACKBERRY™?

THE MARTIN LUKES CHRONICLES

Enjoyable satire of corporate life’s stupidities and empty language, as well as those who buy into them.

British journalist Kellaway moves into fiction with a novel featuring the marketing executive she created for her Financial Times column.

Martin Lukes fancies himself an out-of-the-box thinker at his global marketing firm and quite the family man at home. He loves his email, which he uses to boss around his staff, to brag about jobs he has no chance of getting, to flirt with his silly new secretary, to scold his wife for not understanding the scope of his commitments, to connect with the two sons he never sees and, most importantly, to communicate with Pandora. She’s his guru at CoachworX!, where Martin has signed up for the Executive Bronze Life Coaching Program (his company’s finance director wouldn’t approve the platinum one). Her coaching will help him be “better than your very best,” Pandora promises. Despite his personal commitment to become more introspective, and his boasts of being a team player, Martin’s emails—which constitute the novel’s entire text—reveal a man woefully inept at human relations. By the time he launches a steamy affair with “Kinky Pinky,” his young secretary, Martin has cluelessly angered most of his family and coworkers with his empty promises. The one area in which he seems to excel is in making up words for marketing purposes, such as “creovation” (a hybrid of creative and innovation). Martin’s self-important emails are delightfully droll, and the tale becomes all the more entertaining when his angry teenaged son gets hold of Martin’s BlackBerry and proceeds to wreak havoc on his neglectful father’s life.

Enjoyable satire of corporate life’s stupidities and empty language, as well as those who buy into them.

Pub Date: May 1, 2006

ISBN: 1-4013-0251-3

Page Count: 368

Publisher: Hyperion

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2006

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CARRIE

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...

Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).

All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."

Pub Date: April 8, 1974

ISBN: 0385086954

Page Count: 216

Publisher: Doubleday

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: April 1, 1974

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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