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WHO MOVED MY BLACKBERRY™?

THE MARTIN LUKES CHRONICLES

Enjoyable satire of corporate life’s stupidities and empty language, as well as those who buy into them.

British journalist Kellaway moves into fiction with a novel featuring the marketing executive she created for her Financial Times column.

Martin Lukes fancies himself an out-of-the-box thinker at his global marketing firm and quite the family man at home. He loves his email, which he uses to boss around his staff, to brag about jobs he has no chance of getting, to flirt with his silly new secretary, to scold his wife for not understanding the scope of his commitments, to connect with the two sons he never sees and, most importantly, to communicate with Pandora. She’s his guru at CoachworX!, where Martin has signed up for the Executive Bronze Life Coaching Program (his company’s finance director wouldn’t approve the platinum one). Her coaching will help him be “better than your very best,” Pandora promises. Despite his personal commitment to become more introspective, and his boasts of being a team player, Martin’s emails—which constitute the novel’s entire text—reveal a man woefully inept at human relations. By the time he launches a steamy affair with “Kinky Pinky,” his young secretary, Martin has cluelessly angered most of his family and coworkers with his empty promises. The one area in which he seems to excel is in making up words for marketing purposes, such as “creovation” (a hybrid of creative and innovation). Martin’s self-important emails are delightfully droll, and the tale becomes all the more entertaining when his angry teenaged son gets hold of Martin’s BlackBerry and proceeds to wreak havoc on his neglectful father’s life.

Enjoyable satire of corporate life’s stupidities and empty language, as well as those who buy into them.

Pub Date: May 1, 2006

ISBN: 1-4013-0251-3

Page Count: 368

Publisher: Hyperion

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2006

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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