by Ludmila Ulitskaya ; translated by Richard Pevear & Larissa Volokhonsky ‧ RELEASE DATE: Oct. 31, 2023
A welcome introduction to the short fiction of an essential writer.
Centrifugal, pensive, often elusive stories by the one of the greatest living Russian writers (and leading anti-Putinist).
“After breaking up with her latest lover, Martha committed suicide in an indecently literary manner: having gone to the hairdresser and manicurist, she threw herself under a train.” So Ulitskaya, hitherto known in English for her novels, dispenses with the high-living mother of a pensioner who’s determined to take a quieter route out of the mortal world than her mother took decades earlier; instead, Alisa determines that she’s going to stock up on pills and depart on her own terms. The trouble is, she needs a doctor to write a prescription, something easier said than done, and a proposition packed with tragedy all on its own. In another story, lesbian lovers marry in Amsterdam, “the most tolerant city in the world,” though when their family comes from Azerbaijan and Armenia to find two women at the altar, they intolerantly turn around and fly home, “having thereby refused to participate in the forthcoming blasphemy.” The couple is happy all the same—until, that is, death intervenes, as it so often does in Ulitskaya’s stories. Punctuated with a handful of portentous intervening poems (“I’m entering the final episode, / and whether it’s sweet or sour matters not, / so long as it formulates the ultimate meaning”), the stories have a sometimes surreal edge, as with an evocative ghost story in which a pathologist is visited by the spirit of a young man on whom he has just performed an autopsy. The stories are, beg pardon, haunting, though marked by occasional odd turns of phrase that would seem to be direct renderings of idiomatic expressions that don’t quite travel well in English: “Normal men with appropriate sexual attributes never struck root in this family.” “ ‘He’s a student of mathematics, not a dog’s prick!’ ” Even so, the stories are marvels of economy and the unexpected twist, each a memorable tour de force.
A welcome introduction to the short fiction of an essential writer.Pub Date: Oct. 31, 2023
ISBN: 9780300270938
Page Count: 168
Publisher: Yale Univ.
Review Posted Online: Aug. 26, 2023
Kirkus Reviews Issue: Sept. 15, 2023
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by Ludmila Ulitskaya ; translated by Polly Gannon
BOOK REVIEW
by Ludmila Ulitskaya ; translated by Polly Gannon
BOOK REVIEW
by Ludmila Ulitskaya & translated by Arch Tait
by Kathryn Stockett ‧ RELEASE DATE: May 5, 2026
Fans of Stockett’s bestselling debut will love this engaging follow-up.
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New York Times Bestseller
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
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by Virginia Evans ‧ RELEASE DATE: May 6, 2025
An affecting portrait of a prickly woman.
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A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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