Indeed, the greatest tragedy of Ulitskaya’s story is that it comes to an end. Worthy of shelving alongside Doctor Zhivago:...

THE BIG GREEN TENT

A sweeping novel of life in the Cold War Soviet Union, with plenty between the lines about life in Putin’s Russia today.

With only a dozen or so major characters, Ulitskaya’s (Sonechka, 2005, etc.) latest doesn’t threaten to rival War and Peace or The Possessed on the dramatis personae front. Still, it obviously harbors epic intentions and ambitions, spanning years and lifetimes and treating the largest possible themes. The latter include some of the most classic questions of all: the nature of love, the value of friendship, and, inevitably, the sorrow of betrayal. The early part of the story is set in the tumultuous years following the death of Josef Stalin (which, Ulitskaya notes with quiet satisfaction, occurred on Purim), when three schoolboys bond in friendship. Nerdy and bookish, they are playground victims, despised as outcasts and outsiders precisely “due to their complete disinclination to fight or be cruel.” As the three grow into manhood, they struggle against the odds to remain more or less pure of heart even as Soviet society enters into a new era of anti-Semitism and oppression—for though Stalin is dead, his machinery of terror lives on. Still outsiders, Ilya, Sanya, and Mikha are artists, intellectuals, dissidents. If Mikha begins with the most promise, not only blessed with an endlessly curious mind, but also “possessed of an inchoate creative fire,” the others are brilliant, too. Among many other things, Ulitskaya’s novel is also about the power of books, writing, and music to shape lives worth living. But more, it is about what happens to people inside a prison society: denunciations, hardship, and punishment ensue as surely as night follows day. The novel is impressively vast in scope and commodious in shape; still, reading of, say, Ilya’s love for the resonant Olga, “with her slightly chapped lips, her pale freckles sprinkled over her white skin, the center of his life,” one wants more.

Indeed, the greatest tragedy of Ulitskaya’s story is that it comes to an end. Worthy of shelving alongside Doctor Zhivago: memorable and moving.

Pub Date: Nov. 10, 2015

ISBN: 978-0-374-16667-0

Page Count: 576

Publisher: Farrar, Straus and Giroux

Review Posted Online: Aug. 18, 2015

Kirkus Reviews Issue: Sept. 1, 2015

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THE TATTOOIST OF AUSCHWITZ

An unlikely love story set amid the horrors of a Nazi death camp.

Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.

Pub Date: Sept. 4, 2018

ISBN: 978-0-06-279715-5

Page Count: 272

Publisher: Harper/HarperCollins

Review Posted Online: July 17, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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THE SCREWTAPE LETTERS

These letters from some important executive Down Below, to one of the junior devils here on earth, whose job is to corrupt mortals, are witty and written in a breezy style seldom found in religious literature. The author quotes Luther, who said: "The best way to drive out the devil, if he will not yield to texts of Scripture, is to jeer and flout him, for he cannot bear scorn." This the author does most successfully, for by presenting some of our modern and not-so-modern beliefs as emanating from the devil's headquarters, he succeeds in making his reader feel like an ass for ever having believed in such ideas. This kind of presentation gives the author a tremendous advantage over the reader, however, for the more timid reader may feel a sense of guilt after putting down this book. It is a clever book, and for the clever reader, rather than the too-earnest soul.

Pub Date: Jan. 1, 1942

ISBN: 0060652934

Page Count: 53

Publisher: Macmillan

Review Posted Online: Oct. 17, 2011

Kirkus Reviews Issue: June 15, 1943

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