by Ludmilla Petrushevskaya ‧ RELEASE DATE: April 1, 1996
An impressive collection of stories—some 20 years' worth— from the Russian author of the highly acclaimed novel The Time: Night (1992): a virtuoso whose work displays both Chekhovian delicacy and Tolstoyan moral force and resonance. No writer, though, is more relentlessly contemporary. Petrushevskaya's territory is the politically unstable and economically endangered Russian urban milieu of the 1970s and 1980s. Her stories, divided here into ``Histories'' and ``Monologues,'' are uncompromisingly realistic, frequently downbeat, yet always leavened and varied by sardonic humor and the implicit background presence of a buoyant survivor's instinct. Their province is woman's fate (with few exceptions, her male characters are essentially opaque). Vividly rendered protagonists include a reputedly ``perfect'' young woman destined to live a frustratingly unfulfilled life (in ``The Wall''); a watchful girl who learns how to avoid the marital unhappiness that destroys her parents (in ``Father and Mother''); a pregnant young wife who leads a tense ``ambiguous existence'' while dwelling with her insensitive husband's suspicious mother (in ``Nets and Snares''); and the hopeful heroine of ``Immortal Love,'' who learns to her sorrow that elusive bliss may be nothing more than ``the instinct to propagate the species.'' Petrushevskaya composes with equal skill both brief sketches (``Another Land,'' ``Crossing the Field'') and such densely packed longer tales as ``The Lookout Point,'' which surveys the life and loves of a well-meaning but faithless seducer who simply cannot commit himself to any of the women smitten by him, and ``The Little Girl,'' the flinty story of an unhappy wife and mother's relationship with her errant husband and with the apparently friendly prostitute who lives next door. All of the women here, despite the variety of their personalities and circumstances, might well join in the rueful litany of one of the characters: ``the grass keeps growing, and life itself...seems indestructible. Ah, but it is destructible, it is destructible''. The work of a major talent, quite possibly the best Russian writer of her generation.
Pub Date: April 1, 1996
ISBN: 0-679-42257-9
Page Count: 360
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1996
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by Ludmilla Petrushevskaya translated by Anna Summers
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by Ludmilla Petrushevskaya ; translated by Anna Summers
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by Ludmilla Petrushevskaya & translated by Anna Summers
by Kristin Hannah ‧ RELEASE DATE: March 1, 2001
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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by Larry McMurtry ‧ RELEASE DATE: June 1, 1985
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
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