An invaluable contribution to the scholarship of Wittgenstein.
Wittgenstein’s private notebooks provide welcome context to his first masterpiece.
Tractatus Logico-Philosophicus (1922), the only book Wittgenstein published during his lifetime, is among the most influential philosophical works of the 20th century. Famously, he wrote much of the book while fighting as a volunteer for the Austro-Hungarian Army against Russia in World War I. Throughout this period of his life, he kept a series of notebooks that contained a draft of the Tractatus on the recto pages and a private journal, written in code, on the verso pages. Incredibly, until now, the verso pages have never been published in English. Poetry scholar and critic Perloff noticed this oversight early in the pandemic when, turning to Wittgenstein for comfort, she reread his journals in German. In bringing this text to the English-reading world, Perloff has done a great service to scholars and students of philosophy. Wittgenstein’s philosophical writings give the impression of being unattached to their author. Consequently, to read him in an autobiographical mode—whether longing for his friends, complaining about his comrades, documenting his frequency of masturbation, or praying—as he is composing the Tractatus is to have that work humanized. More than anything, the notebooks describe his frustrations with the amount and quality of his work. Again and again, the crystalline insights he seeks remain on “the tip of my tongue.” In the last of three notebooks (the others are lost), Wittgenstein is moved to the front lines of the war. “Perhaps,” he writes, “the proximity to death will bring me the light of life!” Over the course of the narrative, his attitude toward life shifts from mystical indifference to the realization, achieved only after being fired at, that “I now have such a strong wish to live!” At the same time, his work broadens, “from the foundations of logic to the nature of the world.”
An invaluable contribution to the scholarship of Wittgenstein.Pub Date: April 5, 2022
ISBN: 978-1-324-09080-9
Page Count: 240
Publisher: Liveright/Norton
Review Posted Online: Dec. 28, 2021
Kirkus Reviews Issue: Feb. 1, 2022
Worthwhile reference stuffed with facts and illustrations.
A compendium of charts, time lines, lists and illustrations to accompany study of the Bible.
This visually appealing resource provides a wide array of illustrative and textually concise references, beginning with three sets of charts covering the Bible as a whole, the Old Testament and the New Testament. These charts cover such topics as biblical weights and measures, feasts and holidays and the 12 disciples. Most of the charts use a variety of illustrative techniques to convey lessons and provide visual interest. A worthwhile example is “How We Got the Bible,” which provides a time line of translation history, comparisons of canons among faiths and portraits of important figures in biblical translation, such as Jerome and John Wycliffe. The book then presents a section of maps, followed by diagrams to conceptualize such structures as Noah’s Ark and Solomon’s Temple. Finally, a section on Christianity, cults and other religions describes key aspects of history and doctrine for certain Christian sects and other faith traditions. Overall, the authors take a traditionalist, conservative approach. For instance, they list Moses as the author of the Pentateuch (the first five books of the Hebrew Bible) without making mention of claims to the contrary. When comparing various Christian sects and world religions, the emphasis is on doctrine and orthodox theology. Some chapters, however, may not completely align with the needs of Catholic and Orthodox churches. But the authors’ leanings are muted enough and do not detract from the work’s usefulness. As a resource, it’s well organized, inviting and visually stimulating. Even the most seasoned reader will learn something while browsing.
Worthwhile reference stuffed with facts and illustrations.Pub Date: Sept. 1, 2005
ISBN: 978-1-5963-6022-8
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.
Pub Date: Sept. 26, 1955
ISBN: 0679733736
Page Count: 228
Publisher: Knopf
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Sept. 1, 1955
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