by Luisa Valenzuela ‧ RELEASE DATE: Jan. 1, 1995
A woman recently returned to find democracy restored in her Latin American homeland remains passively immobilized in bed at a remote country club, trying to ignore the surreal history and politics intruding into her room. The unnamed ``Se§ora'' represents all those oblivious to the suffering and upheaval around them. Nonetheless, she's likable. She wants to overcome her lethargy and rise from bed. She'd like to read the newspaper. But Mar°a, chambermaid and lackey to the country club's powers-that-be, asserts that newspapers aren't allowed. Thinking and remembering are also discouraged. Even opening the French windows is ill-advised, because the right-wing army, plotting a coup, is holding a series of maneuvers on the golf course outside. They destroy the hedge with their defoliants and become increasingly difficult to ignore. One soldier takes refuge under the Se§ora's bed, stealing her croissants. The fascist major contends it is the left that is responsible for all subversion. The Se§ora insists it was the right that swiped her breakfast. The military holds meetings and drills in her room. Soldiers leap over her bed. They insult her when they deign to notice her at all. Still, the Se§ora is loathe to recognize what is happening. The only character who can save her is a Doctor Jekyll/Cabdriver Mr. Hyde type. As doctor and representative of the intelligentsia he is caring, if somewhat oversexed; as cabby and commoner he is boorish and decidedly oversexed. Argentine writer Valenzuela (Black Novel, 1992, etc.) lampoons the woes of Latin American countries teetering between democracy and military rule—rampant inflation, petty dictators, the idle rich, the indignities of the poor—with an absurdist sense of humor. A broad take on class struggle and revolution that breezes effortlessly between the bedsheets and the sheets of history.
Pub Date: Jan. 1, 1995
ISBN: 1-85242-313-7
Page Count: 122
Publisher: Serpent’s Tail
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1994
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by Luisa Valenzuela & translated by Andrea G Labinger
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by Kristin Hannah ‧ RELEASE DATE: March 1, 2006
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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