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RITZ AND ESCOFFIER

THE HOTELIER, THE CHEF, AND THE RISE OF THE LEISURE CLASS

A well-researched, glitzy, and flawed history of conspicuous consumption.

A new perspective on the rise of the leisure class.

In his latest book, former Travel + Leisure features editor Barr (Provence, 1970: M.F.K. Fisher, Julia Child, James Beard, and the Reinvention of American Taste, 2013) dives into the many aspects of the restaurant industry during the belle epoque era that laid the groundwork for today’s fine-dining experience. The author focuses on the unlikely union of two entrepreneurs: Swiss hotelier César Ritz (1850-1918) and French chef Auguste Escoffier (1846-1935). The two men shared an insatiable appetite for culinary success, but it wasn’t just the food they were concerned about. By working together to bring the now-renowned Savoy Hotel to its current glory, Ritz and Escoffier introduced epicurean principles to a general public that had no point of reference to understand such lifestyles. “The nouveaux riches had arrived,” writes Barr, “but until now, there had never been anywhere for them to go to announce their arrival. They had rarely been invited to the exclusive dinner parties or private clubs of high society. But now there was the Savoy. The restaurant may have served the most refined, daring, and sometimes shockingly expensive food in the world, but it was not exclusive….The Savoy offered a new and democratic kind of luxury, and cooking was very much at the center of it.” In this process, Ritz and Escoffier created a whole new breed of city dwellers dedicated to “a life of pleasure, a theater of luxury.” The two would later go on to create the Hotel Ritz in Paris. As in his previous book, it’s clear that Barr has done extensive research to master his topic, and the book serves as an expansive resource for those interested in learning more about the turn-of-the-century leisure class. However, the never-ending name-dropping becomes distracting and tiresome. The story would have benefited from more social and cultural analysis and fewer fabulous cameos.

A well-researched, glitzy, and flawed history of conspicuous consumption.

Pub Date: April 3, 2018

ISBN: 978-0-8041-8629-2

Page Count: 320

Publisher: Clarkson Potter

Review Posted Online: Dec. 23, 2017

Kirkus Reviews Issue: Jan. 15, 2018

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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