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RITZ AND ESCOFFIER

THE HOTELIER, THE CHEF, AND THE RISE OF THE LEISURE CLASS

A well-researched, glitzy, and flawed history of conspicuous consumption.

A new perspective on the rise of the leisure class.

In his latest book, former Travel + Leisure features editor Barr (Provence, 1970: M.F.K. Fisher, Julia Child, James Beard, and the Reinvention of American Taste, 2013) dives into the many aspects of the restaurant industry during the belle epoque era that laid the groundwork for today’s fine-dining experience. The author focuses on the unlikely union of two entrepreneurs: Swiss hotelier César Ritz (1850-1918) and French chef Auguste Escoffier (1846-1935). The two men shared an insatiable appetite for culinary success, but it wasn’t just the food they were concerned about. By working together to bring the now-renowned Savoy Hotel to its current glory, Ritz and Escoffier introduced epicurean principles to a general public that had no point of reference to understand such lifestyles. “The nouveaux riches had arrived,” writes Barr, “but until now, there had never been anywhere for them to go to announce their arrival. They had rarely been invited to the exclusive dinner parties or private clubs of high society. But now there was the Savoy. The restaurant may have served the most refined, daring, and sometimes shockingly expensive food in the world, but it was not exclusive….The Savoy offered a new and democratic kind of luxury, and cooking was very much at the center of it.” In this process, Ritz and Escoffier created a whole new breed of city dwellers dedicated to “a life of pleasure, a theater of luxury.” The two would later go on to create the Hotel Ritz in Paris. As in his previous book, it’s clear that Barr has done extensive research to master his topic, and the book serves as an expansive resource for those interested in learning more about the turn-of-the-century leisure class. However, the never-ending name-dropping becomes distracting and tiresome. The story would have benefited from more social and cultural analysis and fewer fabulous cameos.

A well-researched, glitzy, and flawed history of conspicuous consumption.

Pub Date: April 3, 2018

ISBN: 978-0-8041-8629-2

Page Count: 320

Publisher: Clarkson Potter

Review Posted Online: Dec. 23, 2017

Kirkus Reviews Issue: Jan. 15, 2018

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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  • National Book Award Winner


  • Pulitzer Prize Finalist

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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