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Heavenly Silence

RELIGIOUS ISLAND-STYLE STORY

A memorable story of a matriarch whose bravery and tenacity inspired her children.

An inspiring novel of a runaway’s journey through heartache.

In this novel’s introduction, the real-life Essie Brown’s son eulogizes her as a woman of sacrifice—a heroine who led a turbulent life until she found God and turned her life around. Her fictionalized story begins in Jamaica—a gutsy 14-year-old determined to make a life for herself, who escapes her resentful adoptive family and the arduous work they make her do. After she runs away from tiny Cascade to the city of Montego Bay, Essie hunts for work and soon finds a job working for the Ferguson family, baby-sitting their children and cooking their meals. She begins to enjoy her life in the big city, making friends and even finding a boyfriend, Stedman; then she gets pregnant and miscarries. Although she and Stedman are determined to stay together and have a family, she has another miscarriage and then another, and Stedman leaves her for her best friend, Cherry. Heartbroken and angry, she once again resolves to make it on her own and lands a job as a hotel chef. She soon finds herself pregnant once more, but this time, the father wants nothing to do with her, and she brings the pregnancy to full term. After a series of ill-fated affairs, Essie finds Tim Brown, a friend from childhood who now promises to be the first man to stand by her. But soon enough, Essie moves on and searches for a wealthy man to take care of her. This novel shows how, in the end, Essie’s journey and faith helped her grow strong and focused; she eventually raised eight children on her own, molding them into ambitious, motivated sons and daughters. She held her unwieldy family together with gumption, stoicism and a willingness to recreate herself whenever life proved difficult. Her determination is powerful, as is this fictionalized collection of key moments in her life.

A memorable story of a matriarch whose bravery and tenacity inspired her children.

Pub Date: March 29, 2013

ISBN: 978-1483987279

Page Count: 274

Publisher: CreateSpace

Review Posted Online: June 10, 2013

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WE WERE THE LUCKY ONES

Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.

Hunter’s debut novel tracks the experiences of her family members during the Holocaust.

Sol and Nechuma Kurc, wealthy, cultured Jews in Radom, Poland, are successful shop owners; they and their grown children live a comfortable lifestyle. But that lifestyle is no protection against the onslaught of the Holocaust, which eventually scatters the members of the Kurc family among several continents. Genek, the oldest son, is exiled with his wife to a Siberian gulag. Halina, youngest of all the children, works to protect her family alongside her resistance-fighter husband. Addy, middle child, a composer and engineer before the war breaks out, leaves Europe on one of the last passenger ships, ending up thousands of miles away. Then, too, there are Mila and Felicia, Jakob and Bella, each with their own share of struggles—pain endured, horrors witnessed. Hunter conducted extensive research after learning that her grandfather (Addy in the book) survived the Holocaust. The research shows: her novel is thorough and precise in its details. It’s less precise in its language, however, which frequently relies on cliché. “You’ll get only one shot at this,” Halina thinks, enacting a plan to save her husband. “Don’t botch it.” Later, Genek, confronting a routine bit of paperwork, must decide whether or not to hide his Jewishness. “That form is a deal breaker,” he tells himself. “It’s life and death.” And: “They are low, it seems, on good fortune. And something tells him they’ll need it.” Worse than these stale phrases, though, are the moments when Hunter’s writing is entirely inadequate for the subject matter at hand. Genek, describing the gulag, calls the nearest town “a total shitscape.” This is a low point for Hunter’s writing; elsewhere in the novel, it’s stronger. Still, the characters remain flat and unknowable, while the novel itself is predictable. At this point, more than half a century’s worth of fiction and film has been inspired by the Holocaust—a weighty and imposing tradition. Hunter, it seems, hasn’t been able to break free from her dependence on it.

Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.

Pub Date: Feb. 14, 2017

ISBN: 978-0-399-56308-9

Page Count: 416

Publisher: Viking

Review Posted Online: Nov. 21, 2016

Kirkus Reviews Issue: Dec. 1, 2016

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THE TATTOOIST OF AUSCHWITZ

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...

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An unlikely love story set amid the horrors of a Nazi death camp.

Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.

Pub Date: Sept. 4, 2018

ISBN: 978-0-06-279715-5

Page Count: 272

Publisher: Harper/HarperCollins

Review Posted Online: July 16, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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