A stirring, optimistic portrait of African identities and meaning making, past and present.
African pasts and cultural understandings are vital to the present.
“We have a warped understanding of Africa’s past,” writes Pepera at the outset of his capacious history. To unlearn misconceptions, he invites readers on a sweeping, eclectic trip across time and space. Refusing to center histories of victimization, such as the transatlantic trade in enslaved Africans, he instead emphasizes their creativity and achievement. Construing “Africa” broadly, Pepera’s thematic chapters show African and African diasporic identities as interwoven and persistent. His descriptive skill brings research from historical and ethnographic sources into conversation with contemporary examples, vividly showing that for Africans, the past and their ancestors’ past achievements infuse the quotidian present. Pepera narrates familiar African histories, such as the marvelous story of Malian emperor Mansa Musa’s 1324 pilgrimage to Mecca. Musa’s wealth in gold, and his generosity in distributing it during his three-month stop in Cairo, famously disrupted the Egyptian economy, bringing him and Mali into wider renown. He also explores the fascinating histories of African royal women, including Njinga Mbande, a 17th-century queen of Ndongo, in what is today Angola. In other chapters, Pepera’s purpose is quite different. In “How the Dead Still Live,” he moves from African understandings of ancestors’ efficacy in their descendants’ lives to a moving discussion of the legacy of the actor Chadwick Boseman. The latter’s “exemplary life” was reflected in his acting choices, in which his portrayals of figures like Jackie Robinson, James Brown, and T’Challa/Black Panther modeled an African spirit of ancestral veneration. Pepera similarly connects African forms of wordsmithing—praise singing, proverbs, epics—to diasporic forms of verbal battles such as rap or playing “the Dozens.” The book’s presentation of how racism developed over the centuries will disappoint some readers, since it largely eschews structural explanations of how anti-Blackness came to be a global phenomenon. But it will undoubtedly inspire those who seek to understand Africa and its peoples everywhere as shapers of human history.
A stirring, optimistic portrait of African identities and meaning making, past and present.Pub Date: June 3, 2025
ISBN: 9781639368839
Page Count: 432
Publisher: Pegasus
Review Posted Online: April 4, 2025
Kirkus Reviews Issue: May 1, 2025
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.
A coffee-table book celebrates Michelle Obama’s sense of fashion.
Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.Pub Date: Nov. 4, 2025
ISBN: 9780593800706
Page Count: 304
Publisher: Crown
Review Posted Online: Nov. 7, 2025
Kirkus Reviews Issue: Jan. 1, 2026
SEEN & HEARD
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
