Lunch fans will enjoy her unleashed musings and the healthy rage that abound in these fierce essays.
In her latest, singer, writer, and performer Lunch (The Need to Feed: Recipes for Developing a Healthy Obsession With Deeply Satisfying Foods, 2012, etc.) offers her unique blend of raw humor and uncompromising observations.
Buoyed by indignant anger and outrage, these cultural critiques function best when viewed as performance pieces that vary between scathing indictments and rambling rants. Maintaining a deliberate defiance in tone and style, the author covers broad topics, from wildly intimate experiences to coarse opinions and razor-sharp social insights. As usual, Lunch holds nothing back, providing rebellious, raunchy personal stories, scorching perspectives on the notion of mandatory motherhood, a purging glimpse at the nightmare of insomnia, and other themes. Amid these punchy personal revelations, the author layers honed essays with a broader scope. The topics include a reflective interview with Hubert Selby Jr., an in-depth profile of poet Herbert Huncke (“short shift hustler, petty thief, con artist, convicted felon, parasitic hustler, lifelong junkie…whose collected memoirs, beautifully rendered, are infused with heartbreaking detours, detailing life lived to the extreme”), a gritty history of No Wave in New York, and a blistering criticism of recent environmental degradation, pollution, and political abuses of power for economic gains. In the ambitious “Slobathon,” Lunch tackles fashion trends and the commodification of style from James Dean to the death of glam and beyond. Pulling attention to corporate greed and consumer accountability, this explosive essay seethes with the kind of urgency that reflects Lunch at her strongest. Together, these reactions to consumerism, global economic exploitation, hypocrisy, militarism, environmental destruction, and other social failures of modern American society are fervent, bordering on virulent. Consistent with her other work, the author’s voice may be faulted as uneven but never tamed; it’s not a book for the easily offended or faint of heart.
Lunch fans will enjoy her unleashed musings and the healthy rage that abound in these fierce essays.Pub Date: July 9, 2019
ISBN: 978-1-60980-943-0
Page Count: 112
Publisher: Seven Stories
Review Posted Online: May 7, 2019
Kirkus Reviews Issue: June 1, 2019
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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