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HOW THE DEAD DREAM

A hymn to love and an elegy for lost species, but not much of a novel.

A story of extinction from Millet (Oh Pure and Radiant Heart, 2005, etc.).

As a boy T. collects donations for charities that don’t exist and serves as middleman for schoolyard protection rackets. In college he joins a fraternity not for community but for connections, and he remains apart from the debauchery. His brothers mock his monastic tendencies, but they appreciate his clear head and powers of persuasion when, say, frat-party rape victims need to be talked out of pressing charges. As an adult T. is a real estate speculator. He has fulfilled the promise of his youth, which is to say he has achieved the apotheosis of human greed and narcissism. Events conspire, however, to disturb his cool self-interest. His father leaves his mother. His mother descends into dementia. And he hits a coyote with his very expensive car, killing it. T. becomes his mother’s caretaker. He tries to communicate with his father. He adopts a dog. He falls in love with a girl named Beth. Transformed by these connections, T. becomes passably human, but he is undone once again by Beth’s sudden death. T. sinks into an abyss of loneliness—which deepens as his mother ceases to recognize him—and his experience makes him aware of the loneliness of animals on the brink of extinction. He becomes, if not an activist exactly, then a self-sacrificing witness to these last creatures. Millet’s latest doesn’t work as a novel—it’s exhausting and disappointing. The author seldom deviates from the expository voice, and her characters exist only in outline. She does, however, offer an interesting disputation on the meaning of life, one that posits love as the only useful response to isolation, even as it acknowledges that loss is the inevitable result of communion.

A hymn to love and an elegy for lost species, but not much of a novel.

Pub Date: Jan. 1, 2008

ISBN: 978-1-59376-184-4

Page Count: 256

Publisher: Soft Skull Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 2007

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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