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SHARED LIVES

A MEMOIR

Gordon, a biographer of remarkable gifts (Eliot's New Life, 1988, etc.), turns her glass inward and examines the youth and maturity that she and her friends knew in Cape Town, Israel, New York, and Europe: a wide-ranging picaresque story bound together by childhood attachments never set aside. As a Jew growing up in South Africa in the 1950's, Gordon found herself doubly isolated, for the gentile community that surrounded her—and through which she could move only with the most practiced circumspection—was itself implacably sealed off from the black population that comprised the country's invisible majority. The effect was claustrophobic in the extreme and brought Gordon into alliance with schoolmates who suffered the contradictions as keenly as she did. Her narrative quickly focuses on three of these: Romy, Ellie, and Rose—all of whom died young, all of whom struggled against the social and imaginative constraints of their society. This is preeminently a story of exile—the actual exile of those (like Gordon) who left a world they could no longer endure, and the internal exile of those who tried to manage in a place that gave no scope to their desires—and it moves along that boundary between nostalgia and anger that is the exile's true domain. Good use is made of the diaries and letters of those concerned, and Gordon's voice is both intimate and precise throughout—especially as she describes her own difficulties in establishing an academic career. The tribute that she pays her friends is not entirely testimonial, however, for it sets forth the process by which Gordon grew into her own role—as an observer and interpreter of the lives of others. Elegant and strong: a subtle eye trained across years of memory. (Photos—not seen.)

Pub Date: June 29, 1992

ISBN: 0-393-03164-0

Page Count: 352

Publisher: Norton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 1992

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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