This is travel literature as memoir, drolly covering the scope of a restless creative life.

THE ROMANCE OF ELSEWHERE

ESSAYS

An offbeat world tour with a not-quite-innocent abroad.

Novelist and essayist Freed (Emerita, English/Univ. of California; The Last Laugh, 2017, etc.) isn’t the type to get hung up on wondering “should I stay or should I go?” She gets the urge for going, and she’s gone. "As it happens," she writes, "I am at my most suggestible on the subject of belonging, because I am not much good at it." Wanderlust is what ties these funny and astute personal essays together; the book is about what it means to have an insatiable hunger for experience. Freed begins in, and frequently returns to, her homeland of South Africa, where she was born into a theatrical family amid the apartheid-era white bourgeoisie. She writes of the surface tension of revolt and how a mutual sense of distrust infects communication. A Zulu phrase book, for example, delivers commands with a Biblical tone, “intended to communicate to the servant that God is speaking.” Freed skewers an ecotourist camp where, she notes with a twinge of glee, a lioness devoured a camper. Maybe, she reasons, “had the lioness not lost her natural fear of Man while recovering from her capture experience, she might never have come anywhere near the camp.” In between visiting many countries over many years, Freed deals with love and mortality. There’s cancer, which transforms shopping: “I wonder whether I was drawn to soaps and gels because, unlike, say, a belt or a pair of shoes, they could be counted upon not to outlast me.” There’s infidelity: “I could not bear the thought of a life spent repeating itself in virtue.” And there is, finally, the clock ticking, as she considers how aging affects writing.

This is travel literature as memoir, drolly covering the scope of a restless creative life.

Pub Date: Oct. 10, 2017

ISBN: 978-1-61902-927-9

Page Count: 224

Publisher: Counterpoint

Review Posted Online: June 13, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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