A skillfully composed, often disturbing read with barbed moments of levity.
Lobban offers a memoir of her experience as one of the first seven women admitted to Dartmouth College in the late 1960s.
The author writes that she was born into wealth and privilege as the daughter of two alcoholics. Her parents met at the Jersey City Medical Center in New Jersey, where her father was a noted surgeon and her mother a young surgical nurse; they married in the late 1940s, the author says, because Gloria was pregnant with her. Her mother, she says, was addicted to alcohol and pills and raged at her when she was a child; her father, she writes, regularly climbed into her bed at night, until, when she was 12, her mother discovered him there and chased him away. Almost two decades later, Lobban says, she began to question what happened in that bed. In 1968, after her sophomore year at Elmira College in New York state, Lobban registered for a summer theater program run by Dartmouth College in New Hampshire; she gained admission to their drama department during the school’s one-year foray into coeducation. (The Ivy League university would finally accept women as full-time students in 1972.) Crisp, unflinchingly sharp prose makes this book a remarkable remembrance of a troubled childhood: “Dartmouth was my hopeless cause,” she writes, “the father who provided wealth and privilege but should have gone to prison for what he did in the confines of my bed. Dartmouth was the litmus test for why my mother left me.” She notes how her experience at Dartmouth answered her stated need to be “one of the boys,” and it offered her temporary quasi-membership in a male power structure. Lobban’s wit (as when she describes a boyfriend’s “yellow-lined letter, a legal brief of his heart”) acts in dramatic counterpoint to the sad tales she shares, including accounts of three broken marriages. As her narrative notes her successful professional career in the theatrical arts, it also clearly reveals how the terror of her formative years haunted her present, until, at age 72, she learned to love the “wounded and traumatized child inside.”
A skillfully composed, often disturbing read with barbed moments of levity.Pub Date: N/A
ISBN: N/A
Page Count: 266
Publisher: N/A
Review Posted Online: Aug. 14, 2023
Review Program: Kirkus Indie
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.
The iconic model tells the story of her eventful life.
According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.Pub Date: Jan. 31, 2023
ISBN: 9780063226562
Page Count: 256
Publisher: Dey Street/HarperCollins
Review Posted Online: Dec. 5, 2022
Kirkus Reviews Issue: Jan. 1, 2023
SEEN & HEARD
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