An imaginative and witty retelling of universally acknowledged truths.
Messina (The Bolingbroke Chit, 2015, etc.) reimagines a classic in her gender-bending, modern-day take on Jane Austen’s Pride and Prejudice.
In present-day Queens, New York, brothers John and Bennet Bethle are the spine of the Longbourn Collection’s development department. After some persuasion by their parents, they get their youngest brother, Lydon, an internship at the museum as well—but his definition of “internship” is practically synonymous with “Starbucks.” Mr. Meryton, executive director of the Longbourn, is always close by; he would “never trust an employee to do well what he himself could do perfectly”—that is, to land major funding from New York’s richest. Enter Charlotte “Bingley” Bingston, an enthusiastic socialite and chair of the Gold Diamond Advisory Board who's almost as smitten with the local rugelach as she is with John. Her best friend, Darcy Fitzwilliam, a fellow heiress, has a guarded and cold demeanor which earn her little favor from the rest of the cast. Things become complicated when Bennet runs into Georgia Wickham, an estranged childhood friend of Darcy’s, in the lobby of the Longbourn. The entanglements are knottiest at Bingley’s fundraising gala at Netherfield on Park Avenue. Collin Parsons makes his dazzling entrance just as Bingley quits the city suddenly. After 48 “Bingstons,” or days Bingley has been unreachable, both John, who refuses to pine for her, and Bennet, who was “dissed for the financial sector,” are loveless and in desperate need of distraction. When Collin invites Bennet to the Hamptons for a weekend, Messina raises the stakes even higher: there’s a surprise visit from Darcy, and by the time Bennet returns to the city, Lydon is being held by the FBI for grand larceny. It takes a lot of money, influence, and humbling before anyone reaches a mutual understanding. The characters get a little verbose at the end, slowing down the otherwise well-paced plot, but they’ve got quite a bit of explaining to do. Messina maintains the emotional depth of the characters with easy humor despite their wrestling with first impressions gone awry and the consequence of ill-held grudges.
An imaginative and witty retelling of universally acknowledged truths.Pub Date: Dec. 15, 2015
ISBN: 978-1-942218-05-0
Page Count: 278
Publisher: Potatoworks Press
Review Posted Online: Oct. 7, 2015
Kirkus Reviews Issue: Oct. 15, 2015
BOOK REVIEW
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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