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FIREMAN FRED

From the I Like To Read series

While the vocabulary is certainly easy and limited (alone and chief are the two hardest words), beginning readers will have...

A title for beginning readers, this entry in the I Like to Read series follows Fireman Fred from the firehouse, out on a call and back again.

The napping Fred, asleep in his gear on what appears to be a wooden table with wheels, his hat on the floor beside him, is awoken by the fire alarm. The firefighters rush to the truck: “ ‘Run! Run,’ calls the chief.” Arriving at a house with bright orange flames coming out the upper window, the firefighters get the hose and extinguish the fire. They then rescue a woman’s cat (“Mew, mew”) from a tree and try to find the owner of a yipping dog. Failing that, Fred rides back to the firehouse with the dog, and the two curl up together on a real bed for a nap, though Fred’s gear is still either on him or scattered on the floor. Indeed, firefighting purists will cringe at Reed’s trademark gouache artwork. Her firefighters, rather than looking confident and professional, seem disorganized and even dismayed, their arms flailing about. There is no talk of taking care of gear nor anything about fire safety, and sadly, firefighting is reduced to putting out fires and rescuing cats stuck in trees.

While the vocabulary is certainly easy and limited (alone and chief are the two hardest words), beginning readers will have heard enough stories about firefighters to spot the problems. (Early reader. 4-6)

Pub Date: Sept. 1, 2013

ISBN: 978-0-8234-2658-4

Page Count: 32

Publisher: Holiday House

Review Posted Online: July 2, 2013

Kirkus Reviews Issue: July 15, 2013

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PIRATES DON'T TAKE BATHS

Echoes of Runaway Bunny color this exchange between a bath-averse piglet and his patient mother. Using a strategy that would probably be a nonstarter in real life, the mother deflects her stubborn offspring’s string of bath-free occupational conceits with appeals to reason: “Pirates NEVER EVER take baths!” “Pirates don’t get seasick either. But you do.” “Yeesh. I’m an astronaut, okay?” “Well, it is hard to bathe in zero gravity. It’s hard to poop and pee in zero gravity too!” And so on, until Mom’s enticing promise of treasure in the deep sea persuades her little Treasure Hunter to take a dive. Chunky figures surrounded by lots of bright white space in Segal’s minimally detailed watercolors keep the visuals as simple as the plotline. The language isn’t quite as basic, though, and as it rendered entirely in dialogue—Mother Pig’s lines are italicized—adult readers will have to work hard at their vocal characterizations for it to make any sense. Moreover, younger audiences (any audiences, come to that) may wonder what the piggy’s watery closing “EUREKA!!!” is all about too. Not particularly persuasive, but this might coax a few young porkers to get their trotters into the tub. (Picture book. 4-6)

Pub Date: March 1, 2011

ISBN: 978-0-399-25425-3

Page Count: 32

Publisher: Philomel

Review Posted Online: Jan. 25, 2011

Kirkus Reviews Issue: Feb. 1, 2011

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LUCY'S LIGHT

Too many bugs, figuratively.

Lucy, “the youngest member of a family of fireflies,” must overcome an irrational, moon-induced anxiety in order to leave her family tree trunk and glow.

The first six pages pull readers into a lush, beautiful world of nighttime: “When the sun has set, silence falls over the Big Forest, and all of the nighttime animals wake up.” Mixed media provide an enchanting forest background, with stylized flora and fauna eventually illuminated by a large, benign moon, because the night “doesn’t like to catch them by surprise.” Turning the page catches readers by surprise, though: the family of fireflies is decidedly comical and silly-looking. Similarly, the text moves from a lulling, magical cadence to a distinct shift in mood as the bugs ready themselves for their foray into the night: “They wave their bottoms in the air, wiggle their feelers, take a deep, deep breath, and sing, ‘Here we go, it’s time to glow!’ ” It’s an acceptable change, but more unevenness follows. Lucy’s excitement about finally joining the other bugs turns to “sobbing” two nights in a row. Instead of directly linking her behavior to understandable reactions of children to newness, the text undermines itself by making Lucy’s parents’ sweet reassurances impotent and using the grandmother’s scientific explanation of moonlight as an unnecessary metaphor. Further detracting from the story, the text becomes ever denser and more complex over the book’s short span.

Too many bugs, figuratively. (Picture book. 4-6)

Pub Date: Nov. 10, 2015

ISBN: 978-84-16147-00-7

Page Count: 32

Publisher: Cuento de Luz

Review Posted Online: July 21, 2015

Kirkus Reviews Issue: Aug. 15, 2015

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