Shepherd offers an intricate plot and a thousand details of the least-admirable side of Victorian life. A must-read.

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THE SOLITARY HOUSE

Shepherd’s latest detective story (Murder at Mansfield Park, 2010) is a Victorian tour de force that borrows characters from Charles Dickens’ Bleak House and Wilkie Collins’ The Woman in White.

Ever since Metropolitan police officer Charles Maddox was dismissed for insubordination, he’s eked out a living as a private detective. He currently has two cases. The first is finding the grandchild of a man who had cast out his pregnant daughter years before. The second is identifying the writer of threatening scrawls for Edward Tulkinghorn, a powerful attorney who represents the interests of the wealthy and highborn. Charles has learned a good deal from his great uncle. Now that this brilliant detective and mentor is slipping into the dark world of age-related mental illness, Charles, moving into his home to supervise his care, benefits from his meticulously kept case notes. At length he realizes that his work for Tulkinghorn is leaving in its wake a string of corpses, many of them evidently connected to the horrific murder of several women. In 1850s England it is no easy task to confront the noble clients Tulkinghorn is protecting, but Charles is determined to discover the truth no matter where it leads. He is savagely attacked and even arrested. Can he rely on Inspector Bucket’s assurances that he is on Charles’ side? The enterprising sleuth’s life may depend on the answer when his two cases come together in a horrifying denouement.

Shepherd offers an intricate plot and a thousand details of the least-admirable side of Victorian life. A must-read.

Pub Date: May 1, 2012

ISBN: 978-0-345-53242-8

Page Count: 352

Publisher: Delacorte

Review Posted Online: April 2, 2012

Kirkus Reviews Issue: April 15, 2012

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Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

A CONSPIRACY OF BONES

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 23, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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ANIMAL FARM

A FAIRY STORY

A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.

Pub Date: Aug. 26, 1946

ISBN: 0452277507

Page Count: 114

Publisher: Harcourt, Brace

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: Aug. 1, 1946

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