A witty sleuth as keen and profound as the art form she teaches.
In this thriller, a poet at a writers’ retreat digs into the past of a troubled North Carolina town, the site of a current string of murders.
Maria Pell happily accepts an offer to teach at the Daffodil Writers Retreat, lured by the company of fellow poets. The retreat is also near the childhood home of Amen Hotep Jones, Maria’s star pupil (now dead) when she taught poetry to inmates and whose verse she strives to understand. Cherapee County, Maria quickly discovers, is rife with racial uneasiness, a transparent mutual animosity between white and black townspeople. At the same time, her colleague Bo Bennett is writing a book on the history of the Creighton family, starting with Peter Creighton’s migration to the area in the 17th century. The killing of two Creighton descendants within the last year is problematic enough, but suspicions are bolstered by a possible murder (another Creighton) at the retreat. Breaking down Amen’s poetry ultimately leads Maria to dredge up the town’s past; this incites locals but may tie into the murders, which unfortunately continue. With help from her intermittent psychic visions and dreams, Maria searches for a killer, who soon comes looking for her. In Handy’s (The Untold Story of Edwina, 2016, etc.) sequel, Maria remains a curious protagonist, shaken by her husband’s recent infidelity and likely falling for Cherapee County local Ian Kincaid. Her psychic ability, meanwhile, is understated; spirits guide her, but Maria works her way toward a solution primarily with gumption and intuition. The author further exercises subtlety in dealing with race, from different forms of prejudice (overt slurs or micro-aggressions) to links to the town’s plot-relevant history. There are, however, effective thriller attributes, like the car tailgating Maria’s Mazda rental and clearly refusing to pass. Handy’s writing is concise and fittingly lyrical, packing a punch with few words: “Amen grew up in a world that caged his power” and “Words could set the world on fire.”
A witty sleuth as keen and profound as the art form she teaches.Pub Date: Oct. 30, 2017
ISBN: 978-0-692-95350-1
Page Count: 170
Publisher: Push On Press
Review Posted Online: Jan. 22, 2018
Review Program: Kirkus Indie
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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