A witty sleuth as keen and profound as the art form she teaches.
In this thriller, a poet at a writers’ retreat digs into the past of a troubled North Carolina town, the site of a current string of murders.
Maria Pell happily accepts an offer to teach at the Daffodil Writers Retreat, lured by the company of fellow poets. The retreat is also near the childhood home of Amen Hotep Jones, Maria’s star pupil (now dead) when she taught poetry to inmates and whose verse she strives to understand. Cherapee County, Maria quickly discovers, is rife with racial uneasiness, a transparent mutual animosity between white and black townspeople. At the same time, her colleague Bo Bennett is writing a book on the history of the Creighton family, starting with Peter Creighton’s migration to the area in the 17th century. The killing of two Creighton descendants within the last year is problematic enough, but suspicions are bolstered by a possible murder (another Creighton) at the retreat. Breaking down Amen’s poetry ultimately leads Maria to dredge up the town’s past; this incites locals but may tie into the murders, which unfortunately continue. With help from her intermittent psychic visions and dreams, Maria searches for a killer, who soon comes looking for her. In Handy’s (The Untold Story of Edwina, 2016, etc.) sequel, Maria remains a curious protagonist, shaken by her husband’s recent infidelity and likely falling for Cherapee County local Ian Kincaid. Her psychic ability, meanwhile, is understated; spirits guide her, but Maria works her way toward a solution primarily with gumption and intuition. The author further exercises subtlety in dealing with race, from different forms of prejudice (overt slurs or micro-aggressions) to links to the town’s plot-relevant history. There are, however, effective thriller attributes, like the car tailgating Maria’s Mazda rental and clearly refusing to pass. Handy’s writing is concise and fittingly lyrical, packing a punch with few words: “Amen grew up in a world that caged his power” and “Words could set the world on fire.”
A witty sleuth as keen and profound as the art form she teaches.Pub Date: Oct. 30, 2017
ISBN: 978-0-692-95350-1
Page Count: 170
Publisher: Push On Press
Review Posted Online: Jan. 22, 2018
Review Program: Kirkus Indie
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...
Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).
All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."Pub Date: April 8, 1974
ISBN: 0385086954
Page Count: 216
Publisher: Doubleday
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: April 1, 1974
PERSPECTIVES
SEEN & HEARD
BOOK TO SCREEN
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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