by Lynne Hinton ‧ RELEASE DATE: June 7, 2011
Heartfelt, Christian goodwill triumphs in this utterly predictable story.
Hinton’s ninth novel is a feel-good tale in which an inexperienced priest, a wayward young woman and a terminally ill boy save the soul of a small town.
All you need to know about Pie Town, N.M., is that you can’t find any pie there. It’s that kind of place, insular, wary and a little ornery, and nobody’s going to tell the only restaurant in town they have to serve pie. The only thing that brings the place together is Alex Begay, the sheriff’s grandson, born with spina bifida, abandoned by his mother Angel and wise beyond his years. Into town come Father George, fresh from the seminary to his first parish, and Trina (she hitched a ride into Pie Town with Father George), a young woman with a hard past and a heart of gold. Alex takes a shine to her, Sheriff Begay rents her a room above his garage and she finds some waitressing work at the diner. As Alex’s condition worsens, he seems more concerned with the town than with his own survival (the spirit of his great-grandmother is always near him, guiding him). When the church burns to the ground, all fingers point toward an obviously pregnant Trina, and even though Father George knows the truth, his own crisis of faith and inability to counsel prevents him from helping her. More than anything, Alex wants Father George and Trina to stay in Pie Town, but in inspirational fashion, it is only through his death that he can save everyone. Most strikingly, Sheriff Begay and his ex-wife are reunited at Alex’s death (it was only their heartache over their daughter Angel that drove them apart), love is kindled between a waitress and an old rancher, Father George and Trina return and a church is rebuilt.
Heartfelt, Christian goodwill triumphs in this utterly predictable story.Pub Date: June 7, 2011
ISBN: 978-0-06-204508-9
Page Count: 288
Publisher: Morrow/HarperCollins
Review Posted Online: June 28, 2011
Kirkus Reviews Issue: July 1, 2011
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by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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by Michael Crichton ‧ RELEASE DATE: Nov. 7, 1990
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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