Heartfelt, Christian goodwill triumphs in this utterly predictable story.
Hinton’s ninth novel is a feel-good tale in which an inexperienced priest, a wayward young woman and a terminally ill boy save the soul of a small town.
All you need to know about Pie Town, N.M., is that you can’t find any pie there. It’s that kind of place, insular, wary and a little ornery, and nobody’s going to tell the only restaurant in town they have to serve pie. The only thing that brings the place together is Alex Begay, the sheriff’s grandson, born with spina bifida, abandoned by his mother Angel and wise beyond his years. Into town come Father George, fresh from the seminary to his first parish, and Trina (she hitched a ride into Pie Town with Father George), a young woman with a hard past and a heart of gold. Alex takes a shine to her, Sheriff Begay rents her a room above his garage and she finds some waitressing work at the diner. As Alex’s condition worsens, he seems more concerned with the town than with his own survival (the spirit of his great-grandmother is always near him, guiding him). When the church burns to the ground, all fingers point toward an obviously pregnant Trina, and even though Father George knows the truth, his own crisis of faith and inability to counsel prevents him from helping her. More than anything, Alex wants Father George and Trina to stay in Pie Town, but in inspirational fashion, it is only through his death that he can save everyone. Most strikingly, Sheriff Begay and his ex-wife are reunited at Alex’s death (it was only their heartache over their daughter Angel that drove them apart), love is kindled between a waitress and an old rancher, Father George and Trina return and a church is rebuilt.
Heartfelt, Christian goodwill triumphs in this utterly predictable story.Pub Date: June 7, 2011
ISBN: 978-0-06-204508-9
Page Count: 288
Publisher: Morrow/HarperCollins
Review Posted Online: June 28, 2011
Kirkus Reviews Issue: July 1, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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