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THE DANGERS OF AN ORDINARY NIGHT

Reeves’ uncommonly assured novel, by turns sensitive and scarifying, identifies an elusive target and hits it dead on.

Family counselor Reeves’ fourth novel is a three-act tragedy that peers beneath every parent’s worst nightmare and asks which of the statistically normal traumas underneath precipitated it.

Two days after best friends June Danforth and Natalie Carrington leave an audition at The Performing Arts High School of Boston and vanish, caretaker Charles Turner Stockbridge finds them on secluded Watties Beach, June dead of exposure, Tali still alive. Who kidnapped the 17-year-olds and left them to die? It would be nice to believe that the perp must be a drifter from outside their social circle, but Detective Fitz Jameson finds himself concentrating on several suspects unpleasantly close to the two young women: Stockbridge, who can’t explain why he found June, who died facedown, lying face up; Sam Wallace, a sophomore at Performing Arts who’s clearly its star actor; his stage mother, Ana, who’s resolved that the show must go on whatever the cost to Tali; insensitive director Greg Normand, whose reflexive response to any crisis is more bullying; and Zeke Carrington, Tali’s father, whose gambling addiction had beholden him to such seriously dangerous creditors that his wife, Nell, is considering divorce proceedings. Working with psychiatrist Dr. Cynthia Rawlins, who’s more than eager to quit her brutally taxing job of trauma counseling for a teaching job at Boston College, Fitz, who’s hiding a dark secret of his own, hunkers down to unearth the truth to the accompaniment of 27 chapter titles drawn from 27 plays.

Reeves’ uncommonly assured novel, by turns sensitive and scarifying, identifies an elusive target and hits it dead on.

Pub Date: Nov. 9, 2021

ISBN: 978-1-64385-865-4

Page Count: 288

Publisher: Crooked Lane

Review Posted Online: Aug. 17, 2021

Kirkus Reviews Issue: Sept. 1, 2021

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A CONSPIRACY OF BONES

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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BEAUTIFUL UGLY

“Nasty little fellows…always get their comeuppance,” a movie character once said. Deeply satisfying.

Following the mysterious disappearance of his wife, a struggling London novelist journeys to a remote Scottish island to try to get his mojo back—but all, of course, is not what it seems.

Grady Green hits the pinnacle of his publishing career on the same night that his life goes off the rails—first his book lands on the New York Times bestseller list, and then his wife, Abby, goes missing on her way home. A year later, Grady is a mere shadow of his former self: out of money and out of ideas. So, when his agent, Abby’s godmother, suggests that he spend some time on the Isle of Amberly, in a log cabin left to her by one of her writers, it seems as good a plan as any. With free housing for himself and his dog and a beautiful, distraction-free environment, maybe he can finally complete the next novel. But from the very beginning, Grady’s experiences with Amberly seem weird, if not downright ominous: As a visitor, he’s not allowed to bring his car onto the island; the local businesses are only open for a few hours at a time; and there are no birds. At all. Not to mention the skeletal hand he finds buried under the floorboards of the cabin, the creepy harmonica music in the woods, and the occasional sighting of a woman in a red coat who’s a dead ringer for Abby. As Grady falls deeper and deeper into insomnia and alcoholism, he begins to realize his being on the island is no accident—and that should make him very afraid. Through occasional chapters from before Abby’s disappearance, told from her point of view, we learn that Grady is not necessarily a reliable narrator, and the book’s slow unfolding of dread, mystery, and then truth is both creative and well-paced. Every chapter heading is an oxymoron, like the title, reminding us of the contradictions at the heart of every story.

“Nasty little fellows…always get their comeuppance,” a movie character once said. Deeply satisfying.

Pub Date: Jan. 14, 2025

ISBN: 9781250337788

Page Count: 320

Publisher: Flatiron Books

Review Posted Online: Oct. 10, 2024

Kirkus Reviews Issue: Nov. 15, 2024

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