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ALICE-BY-ACCIDENT

Banks (The Key to the Cupboard, 1998, etc.) introduces a highly appealing character in an ultimately disappointing novel. Nine-year-old Alice Williamson-Stone loves to write stories, so much so that when her teacher gives the class an assignment to write about themselves, Alice can’t stop and writes a full-length autobiography. Alice—spunky, resilient, creative, and funny—has had her share of hard knocks and sadness. Raised by a single mom, she learns early on that she came into life “by accident” (hence the title) and that her father wanted to play no part in her life. Alice’s mother does the best she can, but she is often overwhelmed by the job of raising such a feisty girl on her own. Alice’s paternal grandmother Gene, a famous English actress, enters Alice’s life when Alice is three. She often takes Alice to the theater and ballet, encourages her love of books and art, and even takes her on a trip to Spain. Gene is the second most important person in Alice’s life, and the void that’s left when Gene and Alice’s mother, who have always had a hostile relationship, have a final row and Gene is suddenly out of Alice’s life, is enormous. But despite Alice’s likable personality, this is not Banks at her best. The story is often confusing, with many jumps back and forth in time. Many plot elements are hard to buy—for example, it’s difficult to believe that Gene could so easily drop out of Alice’s life when she knows there are no other adults in Alice’s life, aside from her mother. In fact, all the adults here come up rather short. The deliberate misspellings—“applord” for applaud, “dier emerjency,” “ile” for aisle, “ortobiography” for autobiography—and deliberate grammatical mistakes will be confusing for children. The cover illustration depicts a girl of 14 or 15, while Alice is 9 and 10 during the course of the story. Although the reading level is 9 to 13, many of the older kids in that age range will resist reading about a child that much younger than themselves (the reason, perhaps, behind the misleading cover). (Fiction. 9-13)

Pub Date: June 30, 2000

ISBN: 0-380-97865-2

Page Count: 144

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2000

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WE STILL BELONG

A rich, captivating story that will resonate with readers.

A coming-of-age story bringing awareness to Indigenous Peoples’ Day, “a holiday no one in this school seems to care about.”

Seventh grader Wesley Wilder, an Upper Skagit Indian Tribe descendant living just north of Seattle, proudly awaits the publication of her celebratory work, “We Still Belong: An Indigenous Peoples’ Day Poem!” But when her English teacher doesn’t mention her poem, despite always giving extra credit and class discussion time to students who are published in the school paper, she feels hurt and confused. Later, Wesley’s plans to ask the boy she’s crushing on to the school dance are derailed, adding to her emotional roller coaster. Day (Upper Skagit) crafts believable, complex characters: Wesley lives in a multigenerational Native family, is an outstanding student, a musician, and a gamer. She is kind and helps others in need. Her grandfather’s words—“the things that scare us the most in this world are usually the most worthwhile things in our lives”—help ease her vulnerability and self-doubt. This story, which weaves diversity into the supporting cast, incorporates layers of Native identity throughout, as Wesley connects with a new friend who is a young Native activist, learning more about Christopher Columbus. The triumphant ending shows Wesley raised up by family, friends, and community.

A rich, captivating story that will resonate with readers. (author’s note, note from Cynthia Leitich Smith of Heartdrum, We Need Diverse Books statement) (Fiction. 9-12)

Pub Date: Aug. 1, 2023

ISBN: 9780063064560

Page Count: 256

Publisher: Heartdrum

Review Posted Online: May 9, 2023

Kirkus Reviews Issue: June 1, 2023

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STAND UP, YUMI CHUNG!

Readers will cheer the birth of this comedian.

Eleven-year-old Yumi Chung doesn’t have anyone to sit with at lunch, but she secretly harbors dreams of becoming a comedian. Shy + Asian + Girl = Comedian? Why, yes. Yes, it does.

Winston Preparatory Academy is a shy person’s nightmare. Yumi hides from the beautiful girls and the bullies who call her “Yu-meat” because she smells like her parents’ Korean barbecue restaurant. This summer, her parents are demanding that she go to Korean summer school, or hagwon, to get a near-perfect score on the high school entrance exam—because that is the only way to attend an elite college, like her superachiever sister, a 20-year-old med student. Yumi collects all of her fears and frustrations (and jokes) in her Super-Secret Comedy Notebook. When a case of mistaken identity allows her to attend a comedy camp taught by her YouTube idol, Yumi is too panicked to correct the problem—and then it spirals out of control. With wonderful supporting characters, strong pacing, and entertaining comedy bits, debut author Kim has woven a pop song of immigrant struggle colliding with comedy and Korean barbecue. With their feet in two different cultures, readers listen in on honest conversations, full of halting English and unspoken truths painting a realistic picture of 21st-century first-generation Americans—at least a Korean version. By becoming someone else, Yumi learns more about herself and her family in an authentic and hilarious way.

Readers will cheer the birth of this comedian. (Fiction. 9-12)

Pub Date: March 17, 2020

ISBN: 978-0-525-55497-4

Page Count: 320

Publisher: Kokila

Review Posted Online: Nov. 23, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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