For Tillman superfans only.
The first novel in more than a decade from the cult-figure author of American Genius (2006), etc.
“When artists incorporate or appropriate unsophisticated or naïve work in their work, a double consciousness plays that game. Or, to say it another way, the artists are presenting visual meta-fictions.” How a reader reacts to this passage will likely predict how a reader will react to this novel as a whole. Indeed, to call Tillman's latest a novel at all is provocative. There is scant dialogue, little in the way of action, and, to the extent that there’s a narrative, it’s spread so thin over the course of nearly 400 pages that it essentially disappears. There is a narrator, but to call him a main character would be an overstatement, as he never quite materializes as anything more than a collection of erudite observations. He does have a name—Ezekial Stark—and an age—38. Both are largely irrelevant. What matters about Zeke is his vocation as an ethnographer. Once Zeke explains that his "focus on images in, by, and of the family includes sexual and gendered behavior and relationships as understood in those pictures,” we have learned pretty much everything we’re going to learn about Zeke. Tillman is more of a cultural critic than a storyteller, and her latest is essentially a collection of essays on photography, identity, and masculinity. This isn’t scholarly writing, exactly. Rather than presenting a thesis and supporting it with evidence, Tillman makes an assertion, drops a few signifiers—Virginia Woolf, John Cage, the Unabomber, Jeff Bridges as The Dude—and moves on. Readers interested in and knowledgeable about Clifford Geertz, Gerhard Richter, and Jean Baudrillard might find that Tillman has some interesting things to say about their work. It must be said, however, that she has nothing to say about the Kardashians that hasn’t been said a thousand times before.
For Tillman superfans only.Pub Date: March 13, 2018
ISBN: 978-1-59376-679-5
Page Count: 416
Publisher: Soft Skull Press
Review Posted Online: Dec. 6, 2017
Kirkus Reviews Issue: Jan. 1, 2018
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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