Debut collection of 12 consummately crafted but somewhat lifeless stories exploring the Filipina-American experience. These pieces by American-born Galang, some of which have appeared in magazines like Amerasia Journal, New Voices, and Quarterly West, offer insight into an immigrant group overshadowed by more familiar Asian immigrants, though their native land's relationship with the US has been long and close. The contrast between the long-held admiration for things American and the actual cost of living the American dream is a recurring theme here. In ``Rose Colored,'' a visit to a dancer cousin, Mina, who has embraced her immigrant heritage, suggests to successful banker Rose that she may have tried too hard to escape her own past. In ``Talk to Me, Milagros'' and ``Our Fathers,'' respectively, Nelda, a young Filipina-American, at first envies Milagros, the daughter of recently arrived immigrants, then witnesses Milagros's hurt as her father, an attorney in the Philippines, tries to adjust to being a busboy in the US; and a young girl watches as death disrupts her father's long struggle to bring his parents to America. Other tales explore the additional tensions of being female in families that still honor old country ways and ideals. In the title story, ``wild'' Mona is told the cautionary tale of her unmarried aunt Augustina, who was sent back to the Philippines pregnant. In two others, a woman is distressed to observe her brother turning her niece into a traditional Filipina woman (``Miss Teenage Sampaguita''); and a single woman faces family hostility when she returns home pregnant to visit her dying mother (``Contravida''). In another notable piece, ``Filming Sausage,'' the protagonist, in charge of a film's continuity, is harassed by the director for being both female and Asian. A welcome addition to the Filipina-American corpus, though no story here, despite Galang's best intentions, ever quite captures that long lingering sense of difference and dissonance that is so much the immigrant experience.
Pub Date: April 15, 1996
ISBN: 1-56689-040-3
Page Count: 192
Publisher: Coffee House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1996
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...
Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).
All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."Pub Date: April 8, 1974
ISBN: 0385086954
Page Count: 216
Publisher: Doubleday
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: April 1, 1974
PERSPECTIVES
SEEN & HEARD
BOOK TO SCREEN
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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