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THE SHERIFF

THE DRUID CHRONICLES, BOOK THREE (DRUID CHRONICLES, 3)

Richly develops an important player and propels a winning series.

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A weary lifelong soldier comes into his own in this historical novel.

Stefan is a disgruntled Saxon soldier who’s never gotten his due. Still, he’s determined to make the most of his new appointment as the sheriff for the Shire of Codswallow. Once there, Stefan meets an important citizen—Jonathan, the keeper of the Sleeping Dragon Inn. From Jonathan, Stefan learns there are bandits robbing residents and visitors on the roads into Codswallow. Jonathan has a secret: He’s a former Druid priest named Labhruinn who was falsely accused of betraying his shrine and then banished, described in The Valley (2022), the series’ second book. Then Druid priestess Feywn and her niece Cyri arrive at the Dragon. They’ve gotten separated from the rest of their Druid cult who are seeking a new home after their previously hidden location had been revealed. But before Stefan can learn more about them, he receives a letter from his former commander, Lord Ruford, ordering him to offer his services to King Gilberth. Princess Aleswina, the king’s intended, has disappeared from an abbey where she’d been consigned (although she actually escaped to avoid marrying Gilberth). Stefan will need all his battle-won wiles to track down Aleswina. This third book in author Linden’s planned five-volume Druid Chronicles sets up what’s to come. Few of the previously introduced characters make appearances. Instead, as the title suggests, this is Stefan’s story. The reader discovers his backstory and how it weaves into his current quest. Jonathan is also an intriguing addition whose ongoing storyline, which involves fighting no shortage of bandits, will have to be wrapped up in a future book. What is somewhat frustrating, however, is that only one storyline gets resolved in these 350-plus pages. Yet Linden successfully keeps adding to the fascinating world she has created.

Richly develops an important player and propels a winning series.

Pub Date: May 14, 2024

ISBN: 9781647426286

Page Count: 368

Publisher: She Writes Press

Review Posted Online: July 25, 2025

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THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

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Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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CIRCE

Miller makes Homer pertinent to women facing 21st-century monsters.

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A retelling of ancient Greek lore gives exhilarating voice to a witch.

“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.

Miller makes Homer pertinent to women facing 21st-century monsters.

Pub Date: April 10, 2018

ISBN: 978-0-316-55634-7

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Jan. 22, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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