An often enjoyable but ultimately forgettable romance.
A light, entertaining novel that’s part love story, part travelogue.
When perennial playboy David Summers meets journalist Catherine Klein, their attraction is immediate and powerful. The two soon start meeting in cities all over the world for clandestine rendezvous, with David never suspecting that Catherine harbors a secret. It’s one that’s more suburban than steamy: She’s married to a stay-at-home father who tends to their young son, Billy. Catherine promises herself that she’ll either end the affair or tell David the truth, but she finds herself dangerously hooked on the relationship’s animal eroticism—until an explosive confrontation forces her hand. The story gets off to a somewhat slow start, describing glamorous locales in Rio de Janeiro, Paris and Los Angeles in excruciating detail while all but neglecting character development. Scene after scene features impossibly beautiful people in impossibly expensive clothing enjoying themselves in impossibly exclusive bars and hotels, establishing the work as pure escapist fantasy. However, as Catherine and David’s relationship intensifies, the story gains a bit more depth, although Catherine herself remains disappointingly underdeveloped. The story could have depicted her as complex and conflicted, but readers are told early on that she finds life with her husband stultifying and that she yearned to be away from her son even shortly after his birth, and as a result, the affair comes off as somewhat trite. Still, the erotic interplay between Catherine and David is satisfyingly sizzling, and some of their later trips are simply glorious—particularly a South African jaunt. The book provides some elegantly spare insights (“I sometimes worry that we are a relationship of vacations, of interconnected summer romances”) but also some overblown prose (“In the night sky, a cry erupts that ricochets from the far reaches of the horizon like a high-pitched whale [sic] released from her soul that aches in its tone before coming to a desperate guttural surge she repeats into the night sky as she comes into view”). Unfortunately, when this “relationship of vacations” gets to a point where it either must become something more or dissolve altogether, the lackluster conclusion lacks emotional resonance.
An often enjoyable but ultimately forgettable romance.Pub Date: Nov. 1, 2013
ISBN: 978-1483404110
Page Count: 284
Publisher: Lulu
Review Posted Online: Jan. 10, 2014
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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