by M Thomas Apple ‧ RELEASE DATE: Feb. 11, 2015
An overall solid effort; readers will find that it’s worth sticking around for the last pitch.
The love of writing and baseball combine in Apple’s debut novel.
It’s 1995, and John “Ditch” Klein is pitching relief in the minor leagues. He has a bad shoulder, a twice-broken finger, and the misfortune of being born a right-hander, along with many other disappointments you might expect. Still, baseball is all he knows, and like so many other journeymen of the sport, he’s just trying to play every season he’s got left. But Ditch also has another passion; he’s a closet writer, and he feels the compulsion to put pen to paper as a physical sensation along the same arm that delivers his pitches: “His body knew when it had to write, even if his mind didn’t want to.” During the long, hot summer of the minor leagues, in stolen moments on the bus or in hotel rooms, Ditch outlines profiles of his fellow players and vents his frustrations about the team’s management, all while grappling with the growing realization that his days of playing professional ball are coming to an end. Clearly influenced by the classic baseball film Bull Durham, Apple creates a Crash Davis–like character in Ditch—older, wiser, and more experienced than his teammates but with plenty of his own hang-ups that are played out both on and off the field. Apple’s writing is at its best in the extended play-by-play descriptions of individual games (sportswriting, like middle relief, is an often undervalued skill), including the culminating double-header referenced in the title, in which he effectively conveys not only the mechanics of play, but also the psychology of pitching. Readers who are more casual baseball fans may prefer the often comic, sometimes-poignant off-the-field antics of Ditch and his teammates—the good-natured and naïve catcher, the Ivy Leaguer struggling to fit in, the big prospect burdened by expectations. There are some misfires—the use of heavy dialect for some black players seems forced and dated, and passages that don’t relate directly to baseball feel underdone (“After a short shower John headed over to the local IGA and bought fresh meat and the appropriate condiments”). There are also some father issues that seem somewhat too easily resolved, but then again, that’s how the game of baseball fiction is played—and it’s part of what keeps the fans coming back for more.
An overall solid effort; readers will find that it’s worth sticking around for the last pitch.Pub Date: Feb. 11, 2015
ISBN: 978-4905426660
Page Count: 242
Publisher: Kinoshita Kijitsu Press
Review Posted Online: March 18, 2015
Review Program: Kirkus Indie
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by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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by Harper Lee ; edited by Casey Cep
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by Harper Lee
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Kristin Hannah ‧ RELEASE DATE: July 1, 2002
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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